Chinese ecocinema : in the age of environmental challenge

著者

書誌事項

Chinese ecocinema : in the age of environmental challenge

edited by Sheldon H. Lu and Jiayan Mi

Hong Kong University Press, c2009

  • : hardcover
  • : pbk

大学図書館所蔵 件 / 全3件

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注記

Includes filmography (p. [329]-331), bibliographical references (p. [333]-351) and index

収録内容

  • Framing ambient Unheimlich : ecoggedon, ecological unconscious, and water pathology in new Chinese cinema / Jiayan Mi
  • Gorgeous Three Gorges at last sight : cinematic remembrance and the dialectic of modernization / Sheldon H. Lu
  • Submerged ecology and depth psychology in Wushan yunyu : aesthetic insight into national development / Nick Kaldis
  • Floating consciousness : the cinematic confluence of ecological aesthetics in Suzhou River / Andrew Hageman
  • The idea-image : conceptualizing landscape in recent martial arts movies / Mary Farquhar
  • Façades : the new Beijing and the unsettled ecology of Jia Zhangke's The world / Jerome Silbergeld
  • Ruins and grassroots : Jia Zhangke's cinematic discontents in the age of globalization / Hongbing Zhang
  • Of humans and nature in documentary : the logic of capital in West of the tracks and Blind shaft / Ban Wang
  • Toward a Hong Kong ecocinema : the dis-appearance of "nature" in three films by Fruit Chan / Chris Tong
  • A city of disappearance : trauma, displacement, and spectral cityscape in contemporary Chinese cinema / Jing Nie
  • In the face of developmental ruins : place attachment and its ethical claims / Xinmin Liu
  • Ning Hao's Incense : a curious tale of earthly Buddhism / Xiaoping Lin
  • Putting back the animals : woman-animal meme in contemporary Taiwanese ecofeminist imagination / Chia-ju Chang
  • "Reconstructing the god-fearing community" : filming Tibet in the twenty-first century / Donghui He

内容説明・目次

内容説明

This anthology is the first book-length study of China's environmental condition and ecosystem through the lens of cinema from a non-anthropocentric point of view. By proposing "ecocinema" as a new critical framework, the volume breaks new ground in Chinese and global film studies.

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