The geopoetics of modernism
著者
書誌事項
The geopoetics of modernism
University Press of Florida, 2015
- : hardcover
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (pages 175-192) and index
Summary: Rebecca Walsh connects a range of American modernist poets to the work of well known American geographers such as Ellsworth Huntington and Ellen Churchill Semple, as well as to the National Geographic magazine. This book considers the role of academic and popular forms of geography in shaping the experimental poetic modernism of Walt Whitman, Langston Hughes, Gertrude Stein, and H.D
収録内容
- Introduction: Geographical encounters, modernist geopoetics
- Academic and popular geography: global connections, environmentalist style
- The "terraqueous" globe: Walt Whitman and the cosmological geography of Humboldt and Somerville
- African diasporic re-placing: race and environment in the poetry of Helene Johnson and Langston Hughes
- (Trans) nation, geography, and genius: Gertrude Stein's geographical history of America
- H.D.'s trilogy as transnational palimpsest
- Conclusion
内容説明・目次
内容説明
The Geopoetics of Modernism is the first book to illuminate the links between American modernism and the geographic discourse of the time. Rebecca Walsh explores Walt Whitman, Gertrude Stein, Langston Hughes, and H.D.’s engagements with contemporary geographic theories and sources—including the cosmological geography of Alexander von Humboldt and Mary Somerville, the environmental determinism of Ellen Churchill Semple, and mainstream textbooks and periodicals—which informed the formal and political dimensions of their work.
Walsh argues that the dominant geographic paradigms of the nineteenth and twentieth centuries gave authority to experimental writers who were breaking with other forms of authority, enabling them to create transnational forms of belonging on the exhilarating landscape of nations, continents, and the globe. By examining modernism alongside environmental determinist geography, she maps a poetic terrain where binaries such as west versus non-west or imperial center versus colonial periphery are destabilized. The Geopoetics of Modernism reveals the geographic terms through which American modernist poetry interrogated prevailing ideas of orientalism, primitivism, and American exceptionalism.
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