Kierkegaard and the staging of desire : rhetoric and performance in a theology of eros
Author(s)
Bibliographic Information
Kierkegaard and the staging of desire : rhetoric and performance in a theology of eros
Fordham University Press, 2014
- : cloth
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Theology in the modern era often assumes that the consummate form of theological discourse is objective prose-ignoring or condemning apophatic traditions and the spiritual eros that drives them. For too long, Kierkegaard has been read along these lines as a progenitor of twentieth-century neo-orthodoxy and a stern critic of the erotic in all its forms. In contrast, Hughes argues that Kierkegaard envisions faith fundamentally as a form of infinite, insatiable eros. He depicts the essential purpose of Kierkegaard's writing as to elicit ever-greater spiritual desire, not to provide the satisfactions of doctrine or knowledge.
Hughes's argument revolves around close readings of provocative, disparate, and (in many cases) little-known Kierkegaardian texts. The thread connecting all of these texts is that they each conjure up some sort of performative "stage setting," which they invite readers to enter. By analyzing the theological function of these texts, the book sheds new light on the role of the aesthetic in Kierkegaard's authorship, his surprising affinity for liturgy and sacrament, and his overarching effort to conjoin eros for God with this-worldly love.
Table of Contents
Acknowledgments Prologue: Theology and Fairy Tales Introduction: Staging Desire, with Constant Reference to the Concept of Irony 1. Desiring "The One"-in Vaudeville, Marriage, and Beyond 2. Vor Frue Kirke as Stage: Aesthetics and Desire in Liturgy and Sacrament 3. "The Woman Who Was a Sinner": A New Statue in Vor Frue Kirke 4. Theatrical and Eucharistic Transformations: From the Farce Theater to the Feet of Christ 5. Sacramental Living, Sacramental Writing: Eros in Existence Epilogue: Renewing Theology-Kierkegaard beyond Barth Notes Works Cited Index
by "Nielsen BookData"