CiNii 図書 - Exhibiting outside the academy, salon and biennial, 1775-1999 : alternative venues for display

In recent years, there has been increasing scholarly interest in the history of museums, academies and major exhibitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions (single artwork, solo artist, artist-mounted, entrepreneurial, privately funded, ephemeral, etc.) with the notable exception of those publications that deal with situations involving major artists or those who would become so - for example J.L. David's exhibition of Intervention of the Sabine Women (1799) and The First Impressionist Exhibition of 1874 - despite the fact that these sorts of exhibitions and critical scholarship about them have become commonplace (and no less important) in the contemporary art world. The present volume uses and contextualizes eleven case studies to advance some overarching themes and commonalities among alternative exhibitions in the long modern period from the late-eighteenth to the late-twentieth centuries and beyond. These include the issue of control in the interrelation and elision of the roles of artist and curator, and the relationship of such alternative exhibitions to the dominant modes, structures of display and cultural ideology.

Contents: Introduction: Alternative venues, Andrew Graciano
Nathaniel Hone's 1775 exhibition: the first single-artist retrospective, Konstantinos Stefanis
Branding Shakespeare: Boydell's Shakespeare gallery and the politics of display, Heather McPherson
Fantasy and rivalry: Jean-Baptiste Regnault's solo exhibition, Paris 1800, Katie Hanson
Rereading 'Court' in the touring exhibition of Rembrandt Peale's Court of Death (1820), Tanya Pohrt
'Plasmati dalle sue mani': Canova's touch and the Gipsoteca of Possagno, Christina Ferando
Art history as spectacle: blockbuster exhibitions in 1850s England, Amy M. Von Lintel
Merging form and formlessness: the 1892 monotype exhibition by Edgar Degas, Christine Y. Hahn
The radical work of Oskar Kokoschka and the alternative venues of Die Kunstschauen of 1908-1909, Vienna, Austria, Rosa J.H. Berland
Bringing the boudoir into the gallery: Florine Stettheimer's 'failed' solo exhibition, Karen Stock
Exhibiting the museum-function: Marcel Broodthaers and the Musee d'Art Moderne, departement des Aigles, Julian Jason Haladyn
Georges Adeagbo: between artwork and exhibition, Kathryn M. Floyd
Epilogue: control issues: creation, display and meaning, Andrew Graciano
Select bibliography
Index.

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Exhibiting outside the academy, salon and biennial, 1775-1999 : alternative venues for display

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