Gender, culture, and performance : Marathi theatre and cinema before independence
Author(s)
Bibliographic Information
Gender, culture, and performance : Marathi theatre and cinema before independence
Routledge, 2015
- : hardback
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [375]-388
Includes index
Description and Table of Contents
Description
This book presents a lucid, comprehensive, and entertaining narrative of culture and society in late 19th- and early 20th-century Maharashtra through a perceptive study of its theatre and cinema. An intellectual tour de force, it will be invaluable to scholars and researchers of modern Indian history, theatre and film studies, cultural studies, sociology, gender studies as well as the interested general reader.
Table of Contents
Preface and Acknowledgements. Introduction 1. Vishnudas Bhave's Stylised Mythologicals (1843) 2. Prose Plays: Reinventing and Founding Traditions (c. 1860) 3. B.P. Kirloskar's Musical Plays (1880) 4. New Paradigms of Social Realism (1930s) 5. The Kirloskar Trio: Deval, Kolhatkar, Gadkari 6. 'Natyacharya' Khadilkar: Ideology and Entertainment 7. Selected Renowned Playwrights 8. Major Theatre Companies 9. The Theatre World 10. Enter Women: Pioneering Women Dramatists and Actresses 11. Bal Gandharva: From Female Impersonator to Icon of New Womanhood 12. Drama as a Mode of Discourse 13. Silent Films and Talkies 14. The Early Silver Stars. References. About the Author. Index
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