Foreign artists and communities in modern Paris, 1870-1914 : strangers in paradise
著者
書誌事項
Foreign artists and communities in modern Paris, 1870-1914 : strangers in paradise
Ashgate, c2015
- : hbk
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [253]-258) and index
内容説明・目次
内容説明
Foreign Artists and Communities in Modern Paris, 1870-1914 examines Paris as a center of international culture that attracted artists from Western and Eastern Europe, Asia and the Americas during a period of burgeoning global immigration. Sixteen essays by a group of emerging and established international scholars - including several whose work has not been previously published in English - address the experiences of foreign exiles, immigrants, students and expatriates. They explore the formal and informal structures that permitted foreign artists to forge connections within and across national communities and in some cases fashion new, transnational identities in the City of Light. Considering Paris from an innovative global perspective, the book situates both important modern artists - such as Edvard Munch, Sonia Delaunay-Terk, Marc Chagall and Gino Severini - and lesser-known American, Czech, Italian, Polish, Welsh, Russian, Japanese, Catalan, and Hungarian painters, sculptors, writers, dancers, and illustrators within the larger trends of international mobility and cultural exchange. Broadly appealing to historians of modern art and history, the essays in this volume characterize Paris as a thriving transnational arts community in which the interactions between diverse cultures, peoples and traditions contributed to the development of a hybrid and multivalent modern art.
目次
- Contents: Introduction: Strangers in paradise: foreign artists and communities in modern Paris, 1870-1914, Susan Waller and Karen L. Carter. Part I Institutions and Networks: The Italian expatriates: De Nittis and Zandomeneghi, Norma Broude
- International artists at the Salon des Independants in Paris: the case of Edvard Munch (1896 and 1897), Maite van Dijk
- 'Earning a living' in the International Graphic Arts: the Academie Julian and the teaching of poster design and illustration, 1890-1914, Karen L. Carter
- Between Montparnasse and Prague: circulating cubism in Left Bank Paris, Nicholas Sawicki. Part II Expatriate Communities: Polish artists in Paris, 1890-1914: between international modernity and national identity, Ewa Bobrowska
- Revising Bohemia: the American artist colony in Paris, 1890-1914, Emily C. Burns
- Catalan artists in Paris at the turn of the century, Laura Karp Lugo
- Jewish Modernism: immigrant artists of Montparnasse, 1905-1914, Richard D. Sonn. Part III Incomers and Outsiders: Everywhere and nowhere: Medardo Rosso and the cultural cosmopolitan in fin-de-siecle Paris, Sharon Hecker
- The Sacre 'au printemps': Parisian audiences and the Ballets Russes, Juliet Bellow
- Gwen John: posing and painting in Paris, 1905-1914, Susan Waller
- A path beyond Paris: the evolving art of Sakamoto Hanjiro, J. Thomas Rimer. Part IV Cosmopolitans and Hybridities: The lost ambassador: Henrietta Reubell and transnational queer spaces in the Paris arts world, 1876-1903, Paul Fisher
- Jozsef Rippl-Ronai's embroideries: crafting Hungarian Modernism in Paris, Cindy Kang
- Japanese painters in Paris, 1880-1912, Donald F. McCallum
- Gino Severini's Bohemian Paris: integrating the Italian artist, 1906-1914, Zoe Marie Jones. Selected bibliography
- Index.
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