Carbon nation : fossil fuels in the making of American culture
著者
書誌事項
Carbon nation : fossil fuels in the making of American culture
(Culture America / Karal Ann Marling & Erika Doss, series editors)
University Press of Kansas, c2014
- : hardback
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [207]-215
Includes index
内容説明・目次
内容説明
Fossil fuels power our cars, our food supply, our climate-controlled homes, our work, and our play. That much we know. What we understand less, and what this book makes clear, is how fossil fuels also condition Americans' sensory lives, erotic experiences, and aesthetics; how they structure what we assume to be normal and healthy; and how they prop up a distinctly modern bargain with nature that allows populations and economies to grow wildly beyond the previously understood limits of the organic economy. Carbon Nation ranges across film and literary studies, journalism, politics, art history, and ecology, to chart the course by which prehistoric carbon calories influenced--in both conscious and unconscious ways--the modern American economy and body. This includes our ways of being, sensing, and knowing as different classes, races, sexes, and conditions learned to embrace, absorb, and navigate the material manifestations, cultural potentialities, and myriad costs of fossil fuels.
Combining historical ecology with cultural criticism, this book reveals the profound depths of our dependencies on carbon and the long repressed cultural history of our evasion and neglect of those dependencies. The ecological roots of modern America are introduced in the first half of the book with the revolution in material growth generated by the move from limited organic soil resources to subsoil energies. In the works of Eugene O'Neill, Upton Sinclair, Sherwood Anderson, and Stephen Crane, the author exposes how coal as a cultural object is used to suppress our dependencies, buried beneath modernist narratives of progress, consumption, and unbridled growth. In films like Charlie Chaplin's Modern Times and George Stevens's Giant we discover cinematic expressions of our deep-seated anxieties about living in a dizzying new world wrought by fossil fuels.
Any discussion of fossil fuels must go beyond energy policy and technology. As Bob Johnson reminds us, in provocative and powerful ways, what we take to be natural in the modern world is, in fact, historical, and our history and our culture have risen from this relatively recent embrace of the coal mine, the stoke hole, and the oil derrick.
「Nielsen BookData」 より