The world goes pop : the EY exhibition
著者
書誌事項
The world goes pop : the EY exhibition
Tate Publishing, 2015
- : hbk
- : pbk
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Catalog of the exhibition held at the Eyal Ofer Galleries, Tate Modern, London, Sept. 17, 2015-Jan. 14, 2016
Exhibited works: p. 255-260
Includes index
内容説明・目次
内容説明
The World Goes Pop explores the contemporaneous engagements with a spirit of pop throughout the globe, concentrating not only on the relatively well-covered activity in the US, UK and France but also on developments throughout Central and Eastern Europe, Latin America, Asia, Africa and the Middle East. From the late 1950s onwards, numerous artists and movements with a Pop aesthetic developed throughout these continents, including Nouveau realisme, Neo Dada, New Figuration, Equipo Cronica, and Cronica de la Realidad and Saqqakhaneh or Spiritual Pop, as well as such singular figures as Oyvind Fahlstrom, Keiichi Tanaami, and Erro. These artists and movements differed from one another due to their geographies as much as to their exposure to centralised or marginal cultural manifestations, and they were informed by their respective traditions, social and political movements. This unique book offers an opportunity to examine the origins and socio-political side of Pop, including pop and the political representation; pop and the new sexual politics; pop and the mass; seriality, distribution and the role of print production.Featuring six newly-commissioned essays from a wide range of international contributors, and produced in close collaboration with the artists involved, The World Goes Pop is the first book to rely on primary sources to re-evaluate Pop art throughout the globe.
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