CiNii 図書 - The romantics and their contemporaries

The Longman Anthology of British Literature is the most comprehensive and thoughtfully arranged text in the field, offering a rich selection of compelling British authors through the ages. With its first edition, The Longman Anthology of British Literature created a new paradigm for anthologies. Responding to major shifts in literary studies over the past thirty years, it was the first collection to pay sustained attention to the contexts within which literature is produced, even as it broadened the scope of that literature to embrace the full cultural diversity of the British Isles. Within its pages, canonical authors mingle with newly visible writers; English accents are heard next to Anglo-Norman, Welsh, Gaelic, and Scottish ones; female and male voices are set in dialogue; literature from the British Isles is integrated with post-colonial writing; and major works are illumined by clusters of shorter texts that bring literary, social, and historical issues vividly to life. The Fifth Edition builds on the pioneering features of the previous four editions, expanding the strong core of frequently taught works while continuing to lead the way in responding to the shifting interests of the discipline.

Longman Anthology of British Literature, Volume 2A, The: The Romantics and Their Contemporaries, 5/e The Romantics and Their Contemporaries Illustration: Thomas Girtin, Tintern Abbey THE ROMANTIC PERIOD AT A GLANCE INTRODUCTION LITERATURE AND THE AGE: “NOUGHT WAS LASTING” ROMANCE, ROMANTICISM, AND THE POWERS OF THE IMAGINATION THE FRENCH REVOLUTION AND ITS REVERBERATIONS Illustration: Thomas Rowlandson, after a drawing by Lord George Murray, The Contrast THE MONARCHY Illustration: Thomas Lawrence, Coronation Portrait of the Prince Regent (later, George IV) INDUSTRIAL ENGLAND AND “NEVER-RESTING LABOUR” CONSUMERS AND COMMODITIES Color Plate 1: John Martin, The Bard Color Plate 2: Thomas Gainsborough, Mrs. Mary Robinson Color Plate 3: Thomas Phillips, Lord Byron Color Plate 4: Anonymous, Portrait of Olaudah Equiano Color Plate 5: J. M. W. Turner, Slavers Throwing the Dead and Dying Overboard, Typhoon Coming On Color Plate 6: William Blake, The Little Black Boy (second plate only) Color Plate 7: William Blake, The Little Black Boy (another version of #6) Color Plate 8: William Blake, The Tyger Color Plate 9: William Blake, The Sick Rose Color Plate 10: Joseph Wright, An Iron Forge Viewed from Without AUTHORSHIP, AUTHORITY, AND “ROMANTICISM” POPULAR PROSE Illustration: George Cruikshank, The Press PERSPECTIVES The Sublime, the Beautiful, and the Picturesque Illustration: Thomas Rowlandson, Dr. Syntax Sketching by the Lake Illustration: Joseph Mallord William Turner, The Passage of the St. Gothard, 1804 EDMUND BURKE from A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful Illustration: Benjamin Robert Haydon, Study after the Elgin Marbles IMMANUEL KANT from The Critique of Judgement WILLIAM GILPIN Illustration: Edward Dayes, Tintern Abbey from across the Wye, 1794 from Three Essays on Picturesque Beauty, on Picturesque Travel, and on Sketching Landscape Illustration: From William Gilpin's Three Essays, 1792 MARY WOLLSTONECRAFT from A Vindication of the Rights of Men JANE AUSTEN from Pride and Prejudice from Northanger Abbey MARIA JANE JEWSBURY A Rural Excursion JOHN RUSKIN from Modern Painters ANNA LETITIA BARBAULD The Mouse's Petition to Dr. Priestley On a Lady's Writing Inscription for an Ice-House To a Little Invisible Being Who Is Expected Soon to Become Visible To the Poor Washing-Day Eighteen Hundred and Eleven RESPONSE John Wilson Croker: from A Review of Eighteen Hundred and Eleven The First Fire On the Death of the Princess Charlotte CHARLOTTE SMITH from ELEGIAC SONNETS AND OTHER POEMS To the Moon “Sighing I see yon little troop at play” Illustration: Charlotte Smith, engraving for Sonnet IV, “To the Moon” To melancholy. Written on the banks of the Arun October, 1785 Far on the sands To tranquillity Written in the church-yard at Middleton in Sussex On being cautioned against walking on an headland overlooking the sea The sea view The Dead Beggar The Emigrants, Book 1 from Beachy Head PERSPECTIVES The Rights of Man and the Revolution Controversy HELEN MARIA WILLIAMS from Letters Written in France, in the Summer of 1790 EDMUND BURKE from Reflections on the Revolution in France Illustration: James Gillray, Smelling out a Rat
—— or The Atheistical Revolutionist disturbed in his Midnight Calculations MARY WOLLSTONECRAFT from A Vindication of the Rights of Men Letter to Joseph Johnson, from Paris, December 27, 1792 THOMAS PAINE from The Rights of Man HELEN MARIA WILLIAMS from Letters from France, 1796 WILLIAM GODWIN from An Enquiry Concerning Political Justice and Its Influence on General Virtue and Happiness THE ANTI-JACOBIN, OR WEEKLY EXAMINER The Friend of Humanity and the Knife-Grinder The Widow Illustration: James Gillray, illustration to The Friend of Humanity and the Knife-Grinder HANNAH MORE Village Politics ARTHUR YOUNG from Travels in France During the Years 1787–1788, and 1789 from The Example of France, a Warning to Britain from Jacobinism from Once a Jacobin Always a Jacobin WILLIAM BLAKE All Religions Are One There Is No Natural Religion [a] There Is No Natural Religion [b] SONGS OF INNOCENCE AND OF EXPERIENCE Illustration: William Blake, frontispiece for Songs of Innocence from Songs of Innocence Introduction The Shepherd The Ecchoing Green The Lamb Illustration: William Blake, The Lamb The Little Black Boy The Blossom The Chimney Sweeper Illustration: William Blake, The Little Boy lost The Little Boy lost Illustration: William Blake, The Little Boy found The Little Boy found The Divine Image HOLY THURSDAY Nurses Song Infant Joy A Dream On Anothers Sorrow COMPANION READING Charles Lamb: from The Praise of Chimney-Sweepers from Songs of Experience Introduction EARTH'S Answer The CLOD & the PEBBLE HOLY THURSDAY The Little Girl Lost The Little Girl Found THE Chimney Sweeper NURSES Song The SICK ROSE Illustration: William Blake, THE Chimney Sweeper Illustration: William Blake, THE FLY THE FLY The Angel The Tyger My Pretty ROSE TREE AH! SUN-FLOWER The GARDEN of LOVE LONDON The Human Abstract INFANT SORROW A Little BOY Lost Illustration: William Blake, A POISON TREE A Little GIRL Lost The School-Boy A DIVINE IMAGE The Marriage of Heaven and Hell Visions of the Daughters of Albion Illustration: William Blake, Plate i from Visions of the Daughters of Albion Illustration: William Blake, Plate 8, from Visions of the Daughters of Albion LETTERS To Dr. John Trusler (23 August 1799) To Thomas Butts (22 November 1802) PERSPECTIVES The Abolition of Slavery and the Slave Trade OLAUDAH EQUIANO from The Interesting Narrative of the Life of Olaudah Equiano MARY PRINCE from The History of Mary Prince, a West Indian Slave THOMAS BELLAMY The Benevolent Planters JOHN NEWTON Amazing Grace! ANN CROMARTIE YEARSLEY from A Poem on the Inhumanity of the Slave-Trade WILLIAM COWPER Sweet Meat Has Sour Sauce The Negro's Complaint ANNA LETITIA BARBAULD Epistle to William Wilberforce, Esq., On the Rejection of the Bill for Abolishing the Slave Trade HANNAH MORE AND EAGLESFIELD SMITH The Sorrows of Yamba ROBERT SOUTHEY from Poems Concerning the Slave-Trade DOROTHY WORDSWORTH from The Grasmere Journals THOMAS CLARKSON from The History of the Rise, Progress, & Accomplishment of the Abolition of the African Slave-Trade by the British Parliament Illustration: Packing methods on a slave ship WILLIAM WORDSWORTH To Toussaint L'Ouverture To Thomas Clarkson from The Prelude from Humanity Letter to Mary Ann Rawson (May 1833) THE EDINBURGH REVIEW from Abstract of the Information laid on the Table of the House of Commons, on the Subject of the Slave Trade GEORGE GORDON, LORD BYRON from Detached Thoughts MARY ROBINSON Ode to Beauty January, 1795 from Sappho and Phaon, in a Series of Legitimate Sonnets III. The Bower of Pleasure IV. Sappho discovers her Passion VII. Invokes Reason XI. Rejects the Influence of Reason XII. Previous to her Interview with Phaon XVIII. To Phaon XXX. Bids farewell to Lesbos XXXVII. Foresees her Death The Camp The Haunted Beach London's Summer Morning The Old Beggar MARY WOLLSTONECRAFT Illustration: Portrait of Mary Wollstonecraft A Vindication of the Rights of Woman from To M. Talleyrand-Périgord, Late Bishop of Autun Introduction from Chapter 1. The Rights and Involved Duties of Mankind Considered from Chapter 2. The Prevailing Opinion of a Sexual Character Discussed from Chapter 3. The Same Subject Continued from Chapter 5. Animadversions on Some of the Writers Who Have Rendered Women Objects of Pity, Bordering on Contempt from Chapter 13. Some Instances of the Folly Which the Ignorance of Women Generates
with Concluding Reflections on the Moral Improvement That a Revolution in Female Manners Might Naturally Be Expected to Produce RESPONSES Anna Letitia Barbauld, The Rights of Woman Ann Yearsley, The Indifferent Shepherdess to Colin Robert Southey, To Mary Wollstonecraft William Blake, from Mary from The Wrongs of Woman, or Maria “Jemima's Narrative” PERSPECTIVES The Wollstonecraft Controversy and the Rights of Women CATHARINE MACAULAY from Letters on Education RICHARD POLWHELE from The Unsex'd Females PRISCILLA BELL WAKEFIELD from Reflections on the Present Condition of the Female Sex MARY ANN RADCLIFFE from The Female Advocate HANNAH MORE from Strictures on the Modern System of Female Education MARY LAMB Letter to The British Lady's Magazine, “On Needlework” WILLIAM THOMPSON AND ANNA WHEELER from Appeal of One Half the Human Race, Women, Against the Pretensions of the Other Half, Men, to Retain Them in Political, and Thence in Civil and Domestic Slavery JOANNA BAILLIE Plays on the Passions from Introductory Discourse London A Mother to Her Waking Infant A Child to His Sick Grandfather Thunder Song: Woo'd and Married and A' LITERARY BALLADS RELIQUES OF ANCIENT ENGLISH POETRY Sir Patrick Spence JAMES MACPHERSON Carric-Thura: A Poem ROBERT BURNS To a Mouse To a Louse Flow gently, sweet Afton Ae fond kiss Comin' Thro' the Rye (1) Comin' Thro' the Rye (2) Scots, wha hae wi' Wallace bled Is there for honest poverty RESPONSE Charlotte Smith, To the shade of Burns A Red, Red Rose Auld Lang Syne The Fornicator. A New Song THOMAS MOORE The harp that once through Tara's halls Believe me, if all those endearing young charms The time I've lost in wooing WILLIAM WORDSWORTH LYRICAL BALLADS (1798) Simon Lee Anecdote for Fathers We are seven Lines written in early spring The Thorn Note to The Thorn (1800) Expostulation and Reply The Tables Turned Old Man Travelling Lines written a few miles above Tintern Abbey LYRICAL BALLADS (1800, 1802) from Preface [The Principal Object of the Poems. Humble and Rustic Life] [“The Spontaneous Overflow of Powerful Feelings”] [The Language of Poetry] [What is a Poet?] [The Function of Metre] [“Emotion Recollected in Tranquillity”] “There was a Boy” “Strange fits of passion have I known” Song (“She dwelt among th' untrodden ways”) “A slumber did my spirit seal” Lucy Gray Poor Susan Nutting “Three years she grew in sun and shower” The Old Cumberland Beggar Michael RESPONSES Francis Jeffrey: [“the new poetry”] Charles Lamb: from a letter to William Wordsworth Charles Lamb: from a letter to Thomas Manning SONNETS, 1802–1807 Prefatory Sonnet (“Nuns fret not at their Convent's narrow room”) Composed upon Westminster Bridge, Sept. 3, 1802 “The world is too much with us” “It is a beauteous Evening” “I griev'd for Buonaparte” London, 1802 THE PRELUDE, OR GROWTH OF A POET'S MIND Book First. Introduction, Childhood, and School time from Book Second. School time continued [Two Consciousnesses] [Blessed Infant Babe] from Book Fourth. Summer Vacation [A Simile for Autobiography] [Encounter with a “Dismissed” Soldier] from Book Fifth. Books [Meditation on Books. The Dream of the Arab] [A Drowning in Esthwaite's Lake] [“The Mystery of Words”] from Book Sixth. Cambridge, and the Alps [The Pleasure of Geometric Science] [Arrival in France] [Travelling in the Alps. Simplon Pass] from Book Seventh. Residence in London [A Blind Beggar. Bartholomew Fair] from Book Ninth. Residence in France [Paris] [Revolution, Royalists, and Patriots] from Book Tenth. Residence in France and French Revolution [The Reign of Terror. Confusion. Return to England] [Further Events in France] [The Death of Robespierre and Renewed Optimism] [Britain Declares War on France. The Rise of Napoleon and Imperialist France] from The Prelude 1850 490 [Apostrophe to Edmund Burke] from Book Eleventh. Imagination, How Impaired and Restored [Imagination Restored by Nature] [“Spots of Time.” Two Memories from Childhood and Later Reflections] from Book Thirteenth. Conclusion [Climbing Mount Snowdon. Moonlit Vista. Meditation on “Mind,” “Self,” “Imagination,” “Fear,” and “Love”] [Concluding Retrospect and Prophecy] RESPONSE Samuel Taylor Coleridge: To a Gentleman “I travell'd among unknown Men” Resolution and Independence RESPONSE Lewis Carroll: Upon the Lonely Moor “I wandered lonely as a Cloud” “My heart leaps up” Ode: Intimations of Immortality from Recollections of Early Childhood The Solitary Reaper Elegiac Stanzas (“Peele Castle”) RESPONSE Mary Shelley: On Reading Wordsworth's Lines on Peele Castle Excursion Preface Book I “The Wanderer” From Book IV RESPONSES William Hazlitt: from the Character of Mr. Wordsworth's New Poem, The Excursion Francis Jeffrey: from A Review of William Wordsworth's Excursion John Wilson, “But is it Christianity? ... Was Margaret a Christian?” from “On Sacred Poetry” Blackwood's Edinburg Magazine, 1828 from The Wanderer, 1845 Version “Surprised by Joy” “Mutability” “Scorn not the Sonnet” Extempore Effusion upon the Death of James Hogg DOROTHY WORDSWORTH Grasmere—A Fragment Address to a Child Irregular Verses Floating Island Lines Intended for My Niece's Album Thoughts on My Sick-bed When Shall I Tread Your Garden Path? Lines Written (Rather Say Begun) on the Morning of Sunday April 6th from The Grasmere Journals [Home Alone] [A Leech Gatherer] [A Woman Beggar] [An Old Sailor] [The Grasmere Mailman] [A Vision of the Moon] [A Field of Daffodils] [A Beggar Woman from Cockermouth] [The Circumstances of “Composed upon Westminster Bridge”] [The Circumstances of “It is a beauteous Evening”] [The Household in Winter, with William's New Wife. Gingerbread] LETTERS To Jane Pollard [A Scheme of Happiness] To Lady Beaumont [A Gloomy Christmas] To Lady Beaumont [Her Poetry, William's Poetry] To Mrs Thomas Clarkson [Household Labors] To Mrs Thomas Clarkson [A Prospect of Publishing] To William Johnson [Mountain-Climbing with a Woman] RESPONSES Samuel Taylor Coleridge: from A letter to Joseph Cottle Thomas De Quincey: from Recollections of the Lake Poets SAMUEL TAYLOR COLERIDGE Sonnet to the River Otter COMPANION READING William Lisle Bowles: To the River Itchin, Near Winton The Eolian Harp This Lime-Tree Bower My Prison Frost at Midnight from The Rime of the Ancyent Marinere (1798) Part 1 The Rime of the Ancient Mariner (1817) COMPANION READINGS William Cowper: The Castaway Samuel Taylor Coleridge: from Table Talk Christabel COMPANION READING Mary Elizabeth Coleridge: The Witch Kubla Khan RESPONSE Mary Robinson: To the Poet Coleridge The Pains of Sleep Dejection: An Ode LETTERS To William Godwin To Thomas Poole On Donne's Poetry Work Without Hope Constancy to an Ideal Object Epitaph from The Statesman's Manual [Symbol and Allegory] from The Friend [My Ghost-Theory] Biographia Literaria Chapter 4 [Wordsworth's Earlier Poetry] Chapter 11 [The Profession of Literature] Chapter 13 [Imagination and Fancy] Chapter 14 [Occasion of the Lyrical Ballads—Preface to the Second Edition—The Ensuing Controversy] [Philosophic Definitions of a Poem and Poetry] Chapter 17 [Examination of the Tenets Peculiar to Mr. Wordsworth. Rustic Life and Poetic Language] Chapter 22 [Defects of Wordsworth's Poetry] from Lectures on Shakespeare [Mechanic vs. Organic Form] [The Character of Hamlet] [Stage Illusion and the Willing Suspension of Disbelief] [Shakespeare's Images] [Othello] COLERIDGE' S “LECTURES” AND THEIR TIME Shakespeare in the Nineteenth Century Charles Lamb [and Mary Lamb] Preface to Tales from Shakespear Charles Lamb from On the Tragedies of Shakspeare William Hazlitt from Lectures on the English Poets • The Characters of Shakespeare's Plays * GEORGE GORDON, LORD BYRON She walks in beauty So, we'll go no more a-roving

「Nielsen BookData」より

The romantics and their contemporaries

著者

書誌事項

大学図書館所蔵全1件

この図書・雑誌をさがす

注記

内容説明・目次

関連文献： 1件中 1-1を表示

詳細情報

書き出し