Traveling texts and the work of Afro-Japanese cultural production : two haiku and a microphone
著者
書誌事項
Traveling texts and the work of Afro-Japanese cultural production : two haiku and a microphone
(New studies of modern Japan)
Lexington Books, c2015
- : cloth
- : paperback
大学図書館所蔵 全12件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 253-273) and index
内容説明・目次
内容説明
Traveling Texts and the Work of Afro-Japanese Cultural Production analyzes the complex conversations taking place in texts of all sorts traveling between Africans, African Diasporas, and Japanese across disciplinary, geographic, racial, ethnic, linguistic, and cultural borders. Be it focused on the make-up of the blackface ganguro or the haiku of Richard Wright, Rastafari communities in Japan or the black enka singer Jero, the volume turns its attention away from questions of representation to ones concerning the generative aspects of transcultural production. The contributors are interested primarily in texts in motion-the contradictory motion within texts, the traveling of texts, and the action that such kinetic energy inspires in readers, viewers, listeners, and travelers. As our texts travel and travail, the originary nodal points that anchor them to set significations loosen and are transformed; the essays trace how, in the process of traveling, the bodies and subjectivities of those working to reimagine the text(s) in new sites moderate, accommodate, and transfigure both the texts and themselves.
目次
Part One: Art and Performance
Chapter 1: Urban Geishas: Reading Race and Gender in iROZEALb's Paintings, Crystal Anderson
Chapter 2: The Theatrics of Japanese Blackface: Body as Mannequin, Nina Cornyetz
Chapter 3: Abbey Lincoln and Kazuko Shiraishi's Art-Making as Spiritual Labor, Yuichiro Onishi and Tia-Simone Gardner
Part Two: Poetry and Literature
Chapter 4: Playing the Dozens on Zen: Amiri Baraka's Journey from a "Pre-Black" Bohemian Outsider to a "Post-American Low Coup" Poet, Michio Arimitsu
Chapter 5: Richard Wright's Haiku and Modernist Poetics, Yoshinobu Hakutani
Chapter 6: In the Beginning: Blackness and the 1960s Creative Nonfiction of Oe Kenzaburo, William H. Bridges IV
Chapter 7: Future-Oriented Blackness in Showa Robot Culture-1924 to 1963, Anne McKnight
Part Three: Sound, Song, Music
Chapter 8: "This Is Who I Am": Jero and the Polycultural Politics of Black Enka, Kevin Fellezs
Chapter 9: Extending Diaspora: The NAACP and Up-"Lift" Cultures in the Interwar Black Pacific, Shana Redmond
Chapter 10: Hip-Hop and Reggae in Recent Japanese Social Movements, Noriko Manabe
Chapter 11: Can the Japanese Rap?, Dexter Thomas Jr.
Chapter 12: Race, Ethnicity and Affective Community in Japanese Rastafari, Marvin Sterling
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