Manga and the representation of Japanese history
著者
書誌事項
Manga and the representation of Japanese history
（RoutledgeCurzon contemporary Japan series, 44）
Routledge, 2014, c2013
- : pbk
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注記
"First published 2013, First issued in paperback 2014" -- t.p. verso
Bibliography: p. [259]-264
Includes index
内容説明・目次
内容説明
This edited collection explores how graphic art and in particular Japanese manga represent Japanese history.
The articles explore the representation of history in manga from disciplines that include such diverse fields as literary studies, politics, history, cultural studies, linguistics, narratology, and semiotics. Despite this diversity of approaches all academics from these respective fields of study agree that manga pose a peculiarly contemporary appeal that transcends the limitation imposed by traditional approaches to the study and teaching of history. The representation of history via manga in Japan has a long and controversial historiographical dimension. Thereby manga and by extension graphic art in Japanese culture has become one of the world's most powerful modes of expressing contemporary historical verisimilitude. The contributors to this volume elaborate how manga and by extension graphic art rewrites, reinvents and re-imagines the historicity and dialectic of bygone epochs in postwar and contemporary Japan.
Manga and the Representation of Japanese History will be of interest to students and scholars of Asian studies, Asian history, Japanese culture and society, as well as art and visual culture
目次
Foreword 1. The Representation of Japanese History in Manga 2. Sabotaging the Rising Sun: Representing History in Tezuka Osamu's Phoenix 3. Reading Showa History through Manga: Astro Boy as the avatar of postwar Japanese culture 4. Representations of Gendered Violence in Manga: The Case of Enforced Military Prostitution 5.Maruo Suehiro's 'Planet of the Jap': Revanchist Fantasy or War Critique? 6. Making History Herstory: Nelson's Son and Siebold's Daughter in Japanese Shojo Manga 7. Heroes and Villains: Manchukuo in Yasuhiko Yoshikazu's "Rainbow Trotsky" 8. Making History - Manga Between Kyara and Historiography 9. Postmodern Representations of the Pre-modern Edo Period 10. 'LAND OF KAMI, LAND OF THE DEAD:' Paligenesis and the Aesthetics of Religious Revisionism in Kobayashi Yoshinori's 'Neo-Gomanist Manifesto: On Yasukuni' 11. Hating Korea, Hating the Media - Manga Kenkanryu and the Graphical (Mis-) Representation of Japanese History in the Internet Age 12. Towards a Summation: How do manga represent history?
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