Sonic modernities in the Malay world : a history of popular music, social distinction and novel lifestyles, 1930s-2000s
著者
書誌事項
Sonic modernities in the Malay world : a history of popular music, social distinction and novel lifestyles, 1930s-2000s
(Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, v. 290 . Southeast Asia mediated ; v. 5)
Brill, c2014
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
収録内容
- Sonic histories in a Southeast Asian context / Bart Barendregt
- Music on Dutch East Indies radio in 1938 : representations of unity, disunity, and the modern / Philip Yampolsky
- "Dirty dancing" and Malay anxieties : the changing context of Malay ronggeng in the first half of the twentieth century / Jan van der Putten
- Disquieting degeneracy : policing Malaysian and Singaporean popular music culture from the mid-1960s to early-1970s / Adil Johan
- Pop goes Melayu : Melayu popular music in Indonesia, 1968-1975 / Andrew N. Weintraub
- Pop Melayu vs. pop Indonesia : new interpretations of a genre into the 2000s / Emma Baulch
- Worlds of sparkling lights : popular music and youth cultures in Solo, Central Java / Lars Gjelstad
- Seductive pleasures, eluding subjectivities : some thoughts on dangdut's ambiguous identity / Bettina David
- Notes on dangdut music, popular nationalism, and Indonesian islam / Jeremy Wallach
- Politicians who love to sing and politicians who detest singing / Kees van Dijk
- Musical aspects of popular music and pop sunda in West Java / Wim van Zanten
- Modernizing songs of the forest : indigenous communities negotiate tensions of change in Malaysia / Tan Sooi Beng
内容説明・目次
内容説明
Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia's twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences.
Contributors include: Bart Barendregt, Philip Yampolsky, Jan van der Putten, Adil Johan, Andrew Weintraub, Emma Baulch, Lars Gjelstad, Bettina David, Jeremy Wallach, Kees van Dijk, Wim van Zanten and Tan Sooi Beng.
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