The women who knew too much : Hitchcock and feminist theory

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書誌事項

The women who knew too much : Hitchcock and feminist theory

Tania Modleski

Routledge, 2016

3rd ed

  • : pbk

大学図書館所蔵 件 / 全3件

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect on how feminist and queer approaches to Hitchcock studies may be brought into dialogue. A teaching guide and discussion questions by Ned Schantz help instructors and students to delve into this seminal work of feminist film theory.

目次

Introduction: Hitchcock, Feminism, and the Patriarchal Unconscious 1 Rape vs. Mans/laughter: Blackmail 2 Male Hysteria and the "Order of Things": Murder! 3 Woman and the Labyrinth: Rebecca 4 The Woman Who Was Known Too Much: Notorious 5 The Master's Dollhouse: Rear Window6 Femininity by Design: Vertigo 7 Rituals of Defilement: Frenzy Afterword: Hitchcock's Daughters (1988) Afterword: Resurrection of a Hitchcock Daughter (2005) An Interview with David Greven A Study Guide by Ned Schantz

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