From mulberry leaves to silk scrolls : new approaches to the study of Asian manuscript traditions
著者
書誌事項
From mulberry leaves to silk scrolls : new approaches to the study of Asian manuscript traditions
（The Lawrence J. Schoenberg studies in manuscript culture / series editors, William G. Noel, Dorothy Porter, Lynn Ransom, v. 1）
Schoenberg Institute for Manuscript Studies, University of Pennsylvania Libraries , Distributed by University of Pennsylvania Press, c2015
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注記
"Several of the essays in this volume were first presented at the Fourth Annual Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age, "Writing the East: History and New Technologies in the Study of Asian Manuscript Traditions," which was held October 21-22, 2011, at the University of Pennsylvania and the Free Library of Philadelphia"--Pref.
Includes index
内容説明・目次
内容説明
While European manuscripts have been the subject of numerous historical, philological, and art historical studies over the past three decades, the study of the material culture of Asian (Buddhist, Hindu, Islamic, Taoist, and the like) manuscript traditions remains a relatively unexplored field. But Asian manuscripts, as the contributors to From Mulberry Leaves to Silk Scrolls demonstrate, contain much more than the semantic meaning of the words they reproduce. The ten essays collected here look closely at a wide variety of manuscript traditions with a special focus on both their history and the ways in they can be studied through digital technology to make the cataloguing, comparative analysis, and aesthetic appreciation of them more accessible to scholars and students.
Each essay examines ways in which hand-produced texts-from ancient to early modern Thai, Pali, Chinese, Central Asian, Sanskrit, and Arabic manuscript traditions-shape both meaning and interpretation, and to a larger extent, the cultural norms that define their use. Together, the essays explore topics such as the best current practices for preservation and cataloging, the value of collaboration among scholars who work on different aspects of codicological, paleographic, orthographic, and material culture studies, and the use of these material objects for religious, political, cultural and pedagogical purposes. From Mulberry Leaves to Silk Scrolls explores issues relating to the complex relationships between text and image and between the spoken and the written word, and among the overlapping realms of religion, science, and society.
Contributors: Angela S. Chiu, Alexandra Green, Justin Thomas McDaniel, Kim Plofker, Lynn Ransom, Peter Scharf, Daniel Sou, Ori Tavor, Sergei Tourkin, Sinead Ward, Susan Whitfield, Hiram Woodward.
目次
Preface
-Lynn Ransom
Introduction
-Justin Thomas McDaniel
PART I. THE ART OF THE BOOK
Chapter 1. The Characteristics of Elephants: A Thai Manuscript and Its Context
-Hiram Woodward
Chapter 2. Representations of Space and Place in a Burmese Cosmology Manuscript at the British Museum
-Alexandra Green
Chapter 3. Stories Steeped in Gold: Narrative Scenes of the Decorative Kammavaca Manuscripts of Burma
-Sinead Ward
PART II. INSCRIBING RELIGIOUS PRACTICE AND BELIEF
Chapter 4. Drawn to an "Extremely Loathsome" Place: The Buddha and the Power of the Northern Thai Landscape
-Angela S. Chiu
Chapter 5. Shifting Modes of Religiosity: Remapping Early Chinese Religion in Light of Recently Excavated Manuscripts
-Ori Tavor
Chapter 6. Living with Ghosts and Deities in the Qin State: Methods of Exorcism from "Jie " in the Shuihudi Manuscript
-Daniel Sou
PART III. TECHNOLOGIES OF WRITING
Chapter 7. Spoken Text and Written Symbol: The Use of Layout and Notation in Sanskrit Scientific Manuscripts
-Kim Plofker
Chapter 8. Abbreviations in Medieval Astronomical and Astrological Manuscripts Written in Arabic Script
-Sergei Tourkin
Chapter 9. Creating a Codicology of Central Asian Manuscripts
-Susan Whitfield
Chapter 10. Providing Access to Manuscripts in the Digital Age
-Peter M. Scharf
Notes
Contributors
Index
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