Transcultural montage

著者

書誌事項

Transcultural montage

edited by Christian Suhr and Rane Willerslev

Berghahn Books, 2013

  • pbk

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

The disruptive power of montage has often been regarded as a threat to scholarly representations of the social world. This volume asserts the opposite: that the destabilization of commonsense perception is the very precondition for transcending social and cultural categories. The contributors-anthropologists, filmmakers, photographers, and curators-explore the use of montage as a heuristic tool for comparative analysis in anthropological writing, film, and exhibition making. Exploring phenomena such as human perception, memory, visuality, ritual, time, and globalization, they apply montage to restructure our basic understanding of social reality. Furthermore, as George E. Marcus suggests in the afterword, the power of montage that this volume exposes lies in its ability to open the very "combustion chamber" of social theory by juxtaposing one's claims to knowledge with the path undertaken to arrive at those claims.

目次

Introduction: Montage as an Amplifier of Invisibility Rane Willerslev and Christian Suhr Part I: Montage as an Analytic Chapter 1. Montage and Time: Deleuze, Cinema and a Buddhist Sorcery Rite Bruce Kapferer Chapter 2. Temporal Aesthetics: On Deleuzian Montage in Anthropology Morten Nielsen Chapter 3. All the Difference in the World: Liminality, Montage and the Re-Invention of Comparative Anthropology Stuart McLean Chapter 4. Into the Gloaming: A Montage of the Senses Andrew Irving Part II: Montage in Writing Chapter 5. Being a Montage Anne Line Dalsgaard Chapter 6. Smith's Tour Favela Paul Antick Chapter 7. Labour days: a non-linear narrative of development Nina Vohnsen Chapter 8. Mind the Gap Karen Lisa Salamon Part III: Montage in Film Chapter 9. Women in Cities: Comparative Modernities and Cinematic Space in the 1930s Catherine Russell Chapter 10. Radioglaz and the Global City: Possibilities and Constraints of Experimental Montage Julia T. S. Binter Chapter 11. Filming in the Light of Memory Alyssa Grossman Chapter 12. Montage as analysis in ethnographic and documentary filmmaking: From hunting for plots towards weaving baskets of data Jakob Kirstein Hogel Chapter 13. In Defense of Observational Cinema: The Significance of the Bazinian Turn for Ethnographic Filmmaking Anna Grimshaw Part IV: Montage in Museum Exhibitions Chapter 14. Assembling Potentials, Mounting Effects: Ethnographic Exhibitions Beyond Correspondence Peter Bjerregaard Chapter 15. Assembling Bodies: Cuts, Clusters and Juxtapositions Rebecca Empson Chapter 16. Project Villa Sovietica: Clashing Images, Expectations, and Receptions Alexandra Schussler and Willem Mes Afterword: The Traffic in Montage, Then and Now George E. Marcus

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