The musicality of narrative film
Author(s)
Bibliographic Information
The musicality of narrative film
（Palgrave studies in audio-visual culture / series editor, K.J. Donnelly）
Palgrave Macmillan, 2015
Available at 3 libraries
Note
Includes bibliographical references (p. 197-208) and index
Description and Table of Contents
Description
The Musicality of Narrative Film is the first book to examine in depth the film/music analogy. Using comparative analysis, Kulezic-Wilson explores film's musical potential, arguing that film's musicality can be achieved through various cinematic devices, with or without music.
Table of Contents
List of Figures Acknowledgments 1. Introduction 2. Music as Model and Metaphor 3. The Musicality of Film Rhythm 4. The Rhythm of Rhythms 5. Musical and Film Kinesis 6. The Symbolic Nature of Musical and Film Time 7. Jim Jarmusch's Dead Man and the Rhythm of Musical Form 8. Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's ? 9. Audio-Visual Musicality and Reflexivity in Joe Wright's Anna Karenina Conclusion Bibliography Filmography
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