Music and international history in the twentieth century
著者
書誌事項
Music and international history in the twentieth century
(Explorations in culture and international history series / Jessica C.E. Gienow-Hecht and Frank Schumacher, general editors, 7)
Berghahn Books, c2015
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bliographical references and index
内容説明・目次
内容説明
Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.
目次
List of Illustrations
Acknowledgements
List of Contributors
Introduction: Sonic History or Why Music Matters in International History
Jessica C. E. Gienow-Hecht
Part I: Music, International Relations and the Absence of the State
Chapter 1. The Wicked Barrisons
David Monod
Chapter 2. Modern Music and the Popular Front: The International Society for Contemporary Music and Its Political Context (1935)
Anne C. Shreffler
Part II: Music, International History, and the State
Chapter 3. Music and International Relations in Occupied Germany, 1945-1949
Toby Thacker
Chapter 4. Instruments of Diplomacy: Writing Music into the History of Cold War International Relations
Danielle Fosler-Lussier
Chapter 5. "To Reach... into the Hearts and Minds of Our Friends": America's Symphonic Tours and the Cold War
Jonathan Rosenberg
Chapter 6. Music Diplomacy in an Emergency: Eisenhower's "Secret Weapon," Iceland, 1954-1959
Emily Abrams Ansari
Chapter 7. Intimate Histories of the Musical Cold War: Fred Prieberg and Igor Blazhkov's Unofficial Diplomacy
Peter J. Schmelz
Chapter 8. "Where I Cannot Roam, My Song Will Take Wing": Polish Cultural Promotion in Belarus, 1988
Andrea F. Bohlman
Index
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