The understanding of ornament in the Italian Renaissance
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Bibliographic Information
The understanding of ornament in the Italian Renaissance
(Brill's studies in intellectual history, v. 245 . Brill's studies on art,
Brill, c2016
- : hardback
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Note
Includes bibliographical references (p. [599]-654) and indexes
Description and Table of Contents
Description
In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.
Table of Contents
Abbreviations
List of illustrations
Acknowledgements
Introduction
PART ONE ANCIENT PROLEGOMENA
Chapter 1 Kosmos
Chapter 2 Rhetoric and Illusion
Chapter 3 Cosmic Decor
PART TWO FRAGMENT AND DESIGN
Chapter 4 Architecture and the City
Chapter 5 Garland and Mosaic in literary Humanism
Chapter 6 Topics and Style
Chapter 7 Ornament and Disegno, Colour and Perspective
Chapter 8 The City recovered, Triumph and Time
Chapter 9 The Emblematic Continuum
Chapter 10 Spolia and Ornamental Design
Chapter 11 The Grottesche Part 1. Fragment to Field
Chapter 12 The Grottesche Part 2. Signs, Topography and the Dream of Painting
Conclusion
Bibliography
Index
by "Nielsen BookData"