The understanding of ornament in the Italian Renaissance

Bibliographic Information

The understanding of ornament in the Italian Renaissance

by Clare Lapraik Guest

(Brill's studies in intellectual history, v. 245 . Brill's studies on art, art history, and intellectual history ; v. 10)

Brill, c2016

  • : hardback

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Note

Includes bibliographical references (p. [599]-654) and indexes

Description and Table of Contents

Description

In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.

Table of Contents

Abbreviations List of illustrations Acknowledgements Introduction PART ONE ANCIENT PROLEGOMENA Chapter 1 Kosmos Chapter 2 Rhetoric and Illusion Chapter 3 Cosmic Decor PART TWO FRAGMENT AND DESIGN Chapter 4 Architecture and the City Chapter 5 Garland and Mosaic in literary Humanism Chapter 6 Topics and Style Chapter 7 Ornament and Disegno, Colour and Perspective Chapter 8 The City recovered, Triumph and Time Chapter 9 The Emblematic Continuum Chapter 10 Spolia and Ornamental Design Chapter 11 The Grottesche Part 1. Fragment to Field Chapter 12 The Grottesche Part 2. Signs, Topography and the Dream of Painting Conclusion Bibliography Index

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