Fashioning the nineteenth century
著者
書誌事項
Fashioning the nineteenth century
(Habits of being, 3)
University of Minnesota Press, c2014
- : pb
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
In nineteenth-century Europe and the United States, fashion-once the province of the well-to-do-began to make its way across class lines. At once a democratizing influence and a means of maintaining distinctions, gaps in time remained between what the upper classes wore and what the lower classes later copied. And toward the end of the century, style also moved from the streets to the parlor. The third in a four-part series charting the social, cultural, and political expression of clothing, dress, and accessories, Fashioning the Nineteenth Century focuses on this transformative period in an effort to show how certain items of apparel acquired the status of fashion and how fashion shifted from the realm of the elites into the emerging middle and working classes-and back.
The contributors to this volume are leading scholars from France, Italy, and the United States, as well as a practicing psychoanalyst and artists working in fashion and with textiles. Whether considering girls' school uniforms in provincial Italy, widows' mourning caps in Victorian novels, Charlie's varying dress in Kate Chopin's eponymous story, or the language of clothing in Henry James, the essays reveal how changes in ideals of the body and its adornment, in classes and nations, created what we now understand to be the imperatives of fashion.
Contributors: Dagni Bredesen, Eastern Illinois U; Carmela Covato, U of Rome Three; Agnes Derail-Imbert, Ecole Normale Superieure/VALE U of Paris, Sorbonne; Clair Hughes, International Christian University of Tokyo; Bianca Iaccarino Idelson; Beryl Korot; Anna Masotti; Bruno Monfort, Universite of Paris, Ouest Nanterre La Defense; Giuseppe Nori, U of Macerata, Italy; Marta Savini, U of Rome Three; Anna Scacchi, U of Padua; Carroll Smith-Rosenberg, U of Michigan.
目次
Contents
Preface and AcknowledgmentsClothing, Dress, Fashion: An Arcade
Introduction: Fashioning a Century
Cristina Giorcelli1. Psychoanalytic Views of Cross-Dressing and TransvestismBianca Iaccarino Idelson2. Our Job Is to Create Beauty: A Personal Memoir of La PerlaAnna Masotti3. Modernity Clothing: Birthing the Modern Atlantic/Birthing the Modern RepublicCarroll Smith-Rosenberg4. Garment of the Unseen: The Philosophy of Clothes in Carlyle and EmersonGiuseppe Nori5. An Emblem of All the Rest: Wearing the Widow's Cap in Victorian LiteratureDagni Bredesen6. Clothing the Marmorean Flock: Sartorial Historicism and The Marble FaunBruno Monfort7. FlorenceBeryl Korot8. Accessories to the Crime in What Maisie KnewClair Hughes9. Costume and Form: D'Annunzio and Mutable AppearancesMarta Savini10. Shawls Redefine Womanhood in American Literature, 1850s-1920sAnna Scacchi11. A Lovely Little Coffee-Colored Dress: Education, Female Identity, and Dress at the End of the Nineteenth CenturyCarmela Covato12. Gender and Power: Dressing "Charlie"Cristina Giorcelli13. Imaginative Habits: Fantasies of Undressing in The AmbassadorsAgnes Derail-ImbertCoda: Seen and ObscenePaula Rabinowitz
Contributors
「Nielsen BookData」 より