Principles of art history : the problem of the development of style in early modern art
著者
書誌事項
Principles of art history : the problem of the development of style in early modern art
(Texts & documents)
Getty Research Institute, c2015
- タイトル別名
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Kunstgeschichtliche Grundbegriffe
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"This volume translates Heinrich Wölfflin, Kunstgeschichtliche Grundbegriffe. Das Problem der Stilentwicklung in der neueren Kunst (Munich: F. Bruckmann, 1915)--ECIP galley"--CIP data
Includes bibliographical references and index
内容説明・目次
内容説明
This book features a crystalline new translation of one of art history's most influential works-published on its one-hundredth anniversary. Principles of Art History by Heinrich Wolfflin (1864-1945), a revolutionary attempt to construct a science of art through the study of the development of style, has been a foundational work of formalist art history since it was first published in 1915. At once systematic and subjective, and remarkable for its compelling descriptions of works of art, Wolfflin's text has endured as an accessible yet rigorous approach to the study of style. Although Wolfflin applied his analysis to objects of early modern European art, Principles of Art History has been a fixture in the theoretical and methodological debates of the discipline of art history and has found a global audience. With translations in twenty-four languages and many reprints, Wolfflin's work may be the most widely read and translated book of art history ever. This new English translation, appearing one hundred years after the original publication, returns readers to Wolfflin's 1915 text and images.
It also includes the first English translations of the prefaces and afterword that Wolfflin himself added to later editions. Introductory essays provide a historical and critical framework, referencing debates engendered by Principles in the twentieth century for a renewed reading of the text in the twenty-first.
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