Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn
著者
書誌事項
Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn
Fairleigh Dickinson University Press, c2014
- : hardback
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注記
Includes bibliographical references (p.221-228) and index
内容説明・目次
内容説明
Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Maiwenn is the first book to link these five filmmakers together through an analysis of the relationship between filming one's own body and the creative body. Through engaged artistic practices, these female filmmakers turn the camera to their bodies as a way to show the process of artistic creation and to produce themselves as filmmakers and artists in their work from 1987-2009. By making visible their bodies, they offer a wider range of representation of women in French film. Through avant-garde form, in which tangible corporeal elements are made image, they transform representational content and produce new cinematic bodies with the power to influence signifying practices in contemporary French culture. By rendering visible their artistic practice and praxis and their camera in their work-reflexive practices that also unite these filmmakers-these women also visually claim the role of filmmaker and creative subject. Thus they establish their authority in a film industry in which women's participation and recognition of their achievements have historically been lower than that of their male counterparts.
目次
Contents
Acknowledgments
Introduction: Gendered Frames, Embodied Cameras in Contemporary French Cinema (1987-2009)
Section I: Self-Authorization Through Self-Representation
Chapter One: Reflected Reflexivity: Agnes Varda's Aging Female Body
Chapter Two: Enacted Reflexivity: Chantal Akerman par Chantal Akerman
Chapter Three: Hybrid Reflexivity: Dominique Cabrera's Half-Body, Half-Camera
Section II: Self-Construction Through Faux Narratives
Chapter Four: Orchestrated Reflexivity: Sophie Calle's Narrative Body as Artist
Chapter Five: Faux Reflexivity: Maiwenn's Camera and the Female Body
Conclusion: Reflections on Gendered Frames, Embodied Cameras
Bibliography
Index
About the Author
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