A companion to Chinese art
Author(s)
Bibliographic Information
A companion to Chinese art
(Blackwell companions to art history, 8)
Wiley Blackwell, 2016
- : cloth
Access to Electronic Resource 1 items
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history.
Provides an exceptional collection of essays promoting a comparative understanding of China's long record of cultural production
Brings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and more
Articulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theory
Proposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art history
Offers a rich insight into China's social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism
Table of Contents
List of Figures xi Notes on Contributors xv
Introduction 1
Martin J. Powers and Katherine R. Tsiang
Part I Production and Distribution 27
1 Court Painting 29
Patricia Ebrey
2 The Culture of Art Collecting in Imperial China 47
Scarlett Jang
3 Art, Print, and Cultural Discourse in Early Modern China 73
J. P. Park
4 Art and Early Chinese Archaeological Materials 91
Xiaoneng Yang
Part II Representation and Reality 113
5 Figure Painting: Fragments of the Precious Mirror 115
Shane McCausland
6 The Language of Portraiture in China 136
Dora C. Y. Ching
7 Visualizing the Divine in Medieval China 158
Katherine R. Tsiang
8 Landscape 177
Peter C. Sturman
9 Concepts of Architectural Space in Historical Chinese Thought 195
Cary Y. Liu
10 Time in Early Chinese Art 212
Eugene Y. Wang
Part III Theories and Terms 233
11 The Art of "Ritual Artifacts" (Liqi): Discourse and Practice 235
Wu Hung
12 Classification, Canon, and Genre 254
Richard Vinograd
13 Conceptual and Qualitative Terms in Historical Perspective 277
Ronald Egan
14 Imitation and Originality, Theory and Practice 293
Ginger Cheng-chi Hsu
15 Calligraphy 312
Qianshen Bai
16 Emptiness-Substance: Xushi 329
Jason C. Kuo
Part IV Objects and Persons 349
17 Artistic Status and Social Agency 351
Martin J. Powers
18 Ornament in China 371
Jessica Rawson
19 Folding Fans and Early Modern Mirrors 392
Antonia Finnane
20 Garden Art 410
Xin Wu
21 Commercial Advertising Art in 1840-1940s "China" 431
Tani E. Barlow
Part V Word and Image 455
22 Words in Chinese Painting 457
Alfreda Murck
23 On the Origins of Literati Painting in the Song Dynasty 474
Jerome Silbergeld
24 Poetry and Pictorial Expression in Chinese Painting 499
Susan Bush
25 Popular Literature and Visual Culture in Early Modern China 517
Jianhua Chen
Index 535
by "Nielsen BookData"