Visible signs : an introduction to semiotics in the visual arts
Author(s)
Bibliographic Information
Visible signs : an introduction to semiotics in the visual arts
(Required reading range)
Fairchild Books, c2016
3rd ed
- : pb
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
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  Fukushima
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  Toyama
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  Fukui
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  Kyoto
  Osaka
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  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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  United Kingdom
  Germany
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  United States of America
Note
Includes bibliographical references (p. 188) and index
Description and Table of Contents
Description
Basic semiotic theories are taught in most art schools as part of a contextual studies program, but many students find it difficult to understand how these ideas might impact on their own practice. Visible Signs tackles this problem by introducing key theories and concepts, such as signs and signifiers, and language and speech, within the framework of visual communication.
Each chapter provides an overview of a particular facet of semiotic theory, with inspiring examples from graphic design, typography, illustration, advertising and art to illustrate the ideas discussed in the text. Creative exercises at the end of the book will help exemplify these ideas through practical application.
The third edition of Visible Signs features new material from international designers and new creative exercises to accompany each chapter. This new edition also features a new design and layout.
Table of Contents
- Introduction Chapter 1: Components. What is Theory?
- Agreement
- Portfolio
- Exercises. Chapter 2: How Meaning is Formed. Categories of Sign
- Value
- Portfolio
- Exercises. Chapter 3: Reading the Sign: The Reader
- Convention and Motivation
- Portfolio
- Exercises. Chapter 4: Text and Image: Digital and Analogue Codes
- Advertising Writing
- Portfolio
- Exercises. Chapter 5: Official and Unofficial Language: Habitus
- The Production of Legitimate Language
- The Competition for Cultural Legitimacy
- Unofficial Language
- Portfolio
- Exercises. Chapter 6: Symbolic Creativity: Hyperinstitutionalisation
- Play and Identity
- Portfolio
- Exercises. Chapter 7: Junk and Culture: Dirt and Taboo
- Rubbish Theory
- Rubbish as a Resource
- Portfolio
- Exercises. Chapter 8: Open Work: Information and Meaning
- Openness and the Visual Arts
- Openness and Information
- Form and Openness
- Portfolio
- Exercises. Bibliography Index Acknowledgements and Picture Credits
by "Nielsen BookData"