Anti-portraits : poetics of the face in modern English, Polish and Russian literature, 1835-1965
Author(s)
Bibliographic Information
Anti-portraits : poetics of the face in modern English, Polish and Russian literature, 1835-1965
（Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, v. 185）
Brill : Rodopi, c2015
- : paperback
Available at 1 libraries
Note
Includes bibliographical references (p. [207]-231) and index
Description and Table of Contents
Description
Anti-Portraits: Poetics of the Face in Modern English, Polish and Russian Literature (1835-1965) is a study of a-physiognomic descriptions of the face. It demonstrates that writers such as George Eliot, Leo Tolstoy, Edgar Allan Poe, Nicolay Gogol, Virginia Woolf and Witold Gombrowicz vigorously resisted the belief that facial features reflect character.
While other studies tend to focus on descriptions which affirm physiognomy, this book examines portraits which question popular face-reading systems and contravene their common premise - the surface-depth principle. Such portraits reveal that physiognomic formula is a cultural construct, invented to abridge, organise and regulate legibility of the human face. Most importantly, strange and 'unreadable' fictional faces frequently expose the connection between physiognomic judgement and stereotyping, prejudice and racism.
Table of Contents
ACKNOWLEDGEMENTS
LIST OF ABBREVIATIONS
INTRODUCTION
CHAPTER I. GEORGE ELIOT AND TOLSTOY: THE HUMAN FACE - SUBSTANCE OR SPIRIT?
CHAPTER II. POE AND GOGOL: THE FACE AS PRINCIPLE OF ORDER
CHAPTER III. GOMBROWICZ AND WOOLF: THE FACE AS CULTURE
CONCLUSION
WORKS CITED
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