The freedom principle : experiments in art and music, 1965 to now
著者
書誌事項
The freedom principle : experiments in art and music, 1965 to now
Museum of Contemporary Art Chicago in association with The University of Chicago Press, c2015
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalogue of the exhibition held at Museum of Contemporary Art Chicago, July 11-Nov. 22, 2015; The Institute of Contemporary Art at the University of Pennsylvania, Sep. 14-Dec. 31, 2016
内容説明・目次
内容説明
On the South Side of Chicago in the 1960s, African American artists and musicians grappled with new language and forms inspired by the black nationalist turn in the Civil Rights movement. The Freedom Principle, which accompanies an exhibition on the topic at the Museum of Contemporary Art Chicago, traces their history and shows how it continues to inform contemporary artists around the world. The book coincides with the fiftieth anniversary of the founding of the Association for the Advancement of Creative Musicians (AACM), a still-flourishing organization of Chicago musicians who challenge jazz's boundaries. Combining archival materials such as brochures, photographs, sheet music, and record covers with contemporary art work that respond to the 1960s Black Arts Movement, The Freedom Principle explores this tradition of cultural expression from, as one AACM group used to put it, the "ancient to the future."
Essays by curators Naomi Beckwith and Dieter Roelstraete, AACM member and historian George Lewis, art historian Rebecca Zorach, and gallerist John Corbett accompany beautiful reproductions of work by artists such as Muhal Richard Abrams, Barbara Jones-Hogu, Cauleen Smith, Rashid Johnson, Nick Cave, and many more. A roundtable conversation features Beckwith, Roelstraete, curator Hamza Walker, current AACM member and cellist Tomeka Reid, and artist Romi Crawford, with additional comments from poet and scholar Fred Moten. A chronology and curated playlist of AACM-related recordings are also included. The resulting book offers a rich sense of a global movement, with crucial roots in Chicago, driven by a commitment to experimentation, improvisation, collective action, and the pursuit of freedom.
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