Imitation and creativity in Japanese arts from Kishida Ryusei to Miyazaki Hayao
Author(s)
Bibliographic Information
Imitation and creativity in Japanese arts from Kishida Ryusei to Miyazaki Hayao
(Asia perspectives : history, society, and culture)
Columbia University Press, 2016
- : cloth
Available at / 21 libraries
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Sainsbury Institute for the Study of Japanese Arts and Cultures
: cloth : alk. pape702.16 /14191
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Note
Includes bibliographical references and index
Contents of Works
- A historical construction. Copycat Japan
- The West and the invention of creation
- The denial, rejection, and sublimation of imitation
- No poaching
- Seen from Japan
- The logic of reflection in Nakai Masakazu
- A new place for imitation. Kishida Ryusei's portraits of Reiko, or, how can ghosts be at work?
- Kurosawa Akira's Ikiru, or, the impossibility of metaphor
- Araki Nobuyoshi's Sentimental journey-winter, or, eternal bones
- Miyazaki Hayao's Spirited away, or, the adventure of the obliques
- Conclusion