Manuscript cultures of colonial Mexico and Peru : new questions and approaches
著者
書誌事項
Manuscript cultures of colonial Mexico and Peru : new questions and approaches
(Issues & debates)
Getty Research Institute, c2014
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"The essays by Marina Garone Gravier, Diana Magaloni Kerpel, and Juan M. Ossio A. were translated by Marisol Wohl."--T.p. verso
Includes bibliographical references and index
収録内容
- Introduction : beyond the normal; collaborative research and the forensic study of New World manuscripts / Thomas B.F. Cummins and Emily A. Engel
- New assessment of the hidden texts in the Galvin manuscript of Fray Martín de Murúa / Juan M. Ossio A
- Dibujado de mi mano : Martín de Murúa as artist / Thomas B.F. Cummins
- Woven documents : color, design, and cultural origins of the textiles in the Getty Murúa / Elena Phipps
- Accounting for unfinished history : how evidence of book structure provides a new context for the making of the Galvin and Getty Murúas / Nancy K. Turner
- Colorants and artists' palettes in the Murúa manuscripts / Karen Trentelman
- Let the waters and the pigments flow on these pages : making and emending landscape in the Relación de Michoacán, 1539-1541 / Angélica J. Afanador-Pujol
- The visual construction of a historical narrative : book design and calligraphy of the Florentine Codex / Marina Garone Gravier
- The colors of creation : materials and techniques in the Florentine Codex / Diana Magaloni Kerpel
内容説明・目次
内容説明
This volume showcases dynamic developments in the field of manuscript research that go beyond traditional textual, iconographic, or codicological studies. Using state-of-the-art conservation technologies, scholars investigate how four manuscripts--the Galvin Mur a, the Getty Mur a, the Florentine Codex, and the Relaci n de Michoac n--were created and demonstrate why these objects must be studied in a comparative context. The forensic study of manuscripts provides art historians, anthropologists, curators, and conservators with effective methods for determining authorship, identifying technical innovations, and contextualizing illustrated histories. This information, in turn, allows for more nuanced arguments that transcend the information that the written texts and painted images themselves provide. The book encourages scholars to think broadly about the manuscripts of colonial Mexico and Peru in the sixteenth and seventeenth centuries and employ new techniques and methods of research.
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