CiNii 図書 - Michelangelo in the new millennium : conversations about artistic practice, patronage and Christianity

Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo's art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist's formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall

Foreword: Why More Michelangelo? William E. Wallace Acknowledgements Illustrations Contributors Abstracts Introduction: Michelangelo in the New Millennium Tamara Smithers Part 1: Artistic Mobility Chapter 1: Site-Specificity Joost Keizer Chapter 2: Michelangelo's Strozzi Tondo?: Securing Status with Art Eric R. Hupe Part 2: Syncretic Seers Chapter 3: The Pitti Tondo: A "Sibylline" Madonna Emily Fenichel Chapter 4: Christ-Bearers and Seers of the Period Ante Legem: On the Male Nudes in Michelangelo's Doni Tondo and Sistine Ceiling Frescoes Jonathan Kline Part 3: Papal Patronage: The Pauls Chapter 5: Virtuous Prelates, Burdensome Relics and a Sliver of Gold in the Last Judgment Erin Sutherland Minter Chapter 6: Michelangelo the "Lefty": The Cappella Paolina, the Expulsion Drawings, and Marcello Venusti Margaret Kuntz Coda: Michelangelo's Suicidal Stone Tamara Smithers Epilogue: Twenty-first Century Versus Twentieth Century Methodologies Marcia B. Hall Index

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Michelangelo in the new millennium : conversations about artistic practice, patronage and Christianity

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