Documentary across disciplines

著者

    • Balsom, Erika
    • Peleg, Hila

書誌事項

Documentary across disciplines

edited by Erika Balsom, Hila Peleg

Haus der Kulturen der Welt , MIT Press, c2016

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注記

"This book emerges from the Berlin Documentary Forum, a program for the production and presentation of contemporary and historical documentary practices in an interdisciplinary context"--Colophon

Includes bibliographical references and index

内容説明・目次

内容説明

Artists, filmmakers, art historians, poets, literary critics, anthropologists, theorists, and others, investigate one of the most vital areas of cultural practice: documentary. Contemporary engagements with documentary are multifaceted and complex, reaching across disciplines to explore the intersections of politics and aesthetics, representation and reality, truth and illusion. Discarding the old notions of "fly on the wall" immediacy or quasi-scientific aspirations to objectivity, critics now understand documentary not as the neutral picturing of reality but as a way of coming to terms with reality through images and narrative. This book collects writings by artists, filmmakers, art historians, poets, literary critics, anthropologists, theorists, and others, to investigate one of the most vital areas of cultural practice: documentary. Their investigations take many forms-essays, personal memoirs, interviews, poetry. Contemporary art turned away from the medium and toward the world, using photography and the moving image to take up global perspectives. Documentary filmmakers, meanwhile, began to work in the gallery context. The contributors consider the hybridization of art and film, and the "documentary turn" of contemporary art. They discuss digital technology and the "crisis of faith" caused by manipulation and generation of images, and the fading of the progressive social mandate that has historically characterized documentary. They consider invisible data and visible evidence; problems of archiving; and surveillance and biometric control, forms of documentation that call for "informatic opacity" as a means of evasion. Contributors Ariella Azoulay, Zach Blas, Christa Blumlinger, Stella Bruzzi, Lucien Castaing-Taylor, Kris Fallon, Evgenia Giannouri, Ben Lerner, SylveIre Lotringer, Antonia Majaca, Sohrab Mohebbi, Volker Pantenburg, Veireina Paravel, Christopher Pinney, Ben Rivers, and Eyal Sivan Copublished with the Haus der Kulturen der Welt (HKW), Berlin

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