The Asian American avant-garde : universalist aspirations in modernist literature and art
著者
書誌事項
The Asian American avant-garde : universalist aspirations in modernist literature and art
(Asian American history and culture series)(American literatures initiative)
Temple University Press, 2015
- : pbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [213]-224) and index
内容説明・目次
内容説明
The Asian American Avant-Garde is the first book-length study that conceptualizes a long-neglected canon of early Asian American literature and art. Audrey Wu Clark traces a genealogy of counter-universalism in short fiction, poetry, novels, and art produced by writers and artists of Asian descent who were responding to their contemporary period of Asian exclusion in the United States, between the years 1882 and 1945.
Believing in the promise of an inclusive America, these avant-gardists critiqued racism as well as institutionalized art. Clark examines racial outsiders including Isamu Noguchi, Dong Kingman and Yun Gee to show how they engaged with modernist ideas, particularly cubism. She draws comparisons between writers such as Sui Sin Far and Carlos Bulosan with modernist luminaries like Stein, Eliot, Pound, and Proust.
Acknowledging the anachronism of the term "Asian American" with respect to these avant-gardists, Clark attempts to reconstruct it. The Asian American Avant-Garde explores the ways in which these artists and writers responded to their racialization and the Orientalism that took place in modernist writing.
目次
TABLE OF CONTENTS Acknowledgmentsii INTRODUCTION1 Toward an Asian American Modernism CHAPTER ONE37 Chinatown as Universal Region in Sui Sin Far's Mrs. Spring Fragrance CHAPTER TWO96 "Little Postage Stamps of Native Soil": The Modernist Haiku during Japanese Exclusion CHAPTER THREE157 Renewing America in Dhan Gopal Mukerji's Caste and Outcast and Younghill Kang's East Goes West CHAPTER FOUR217 Popular Front Politics and Nonlinear Temporality in Carlos Bulosan's America Is in the Heart CONCLUSION270 Asian American Universalism and the Radicalism of Performing "Assimilation" during Asian Exclusion Bibliography287
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