The silents of Jesus in the cinema 1897-1927
著者
書誌事項
The silents of Jesus in the cinema 1897-1927
（Routledge studies in religion and film, 5）
Routledge, 2016
- : hbk
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注記
Includes index
内容説明・目次
内容説明
While Jesus has attracted the sporadic interest of film-makers since the epics of the Sixties, it is often forgotten that between the advent of motion pictures in the 1890s and the close of the "silent" era at the end of the 1920s, some of the longest, most expensive and most watched films on both sides of the Atlantic were focused on the Life and Passion of the Christ. Drawing upon rarely seen archival footage and the work of both the era's most important directors (e.g. Alice Guy, Ferdinand Zecca, Sidney Olcott, D.W. Griffith, Carl Dreyer, and C.B. DeMille) and others who have been all but forgotten, this collection of essays offers a representative survey of the Silents of Jesus, illustrating the ways in which the earliest films and those which followed were influenced by a multiplicity of factors. Written by leading scholars in biblical and early film studies this collection explores the ways in which the Silents of Jesus were shaped not only by the performing and visual arts of the nineteenth century and the technological challenges and opportunities of a new medium and industry, but also by the artistic, theological and ideological predilections of studios and directors, and the expectations of audiences as the genre evolved. Taken together, the essays collected here offer a seminal treatment of the genesis and early evolution of the cinematic Jesus.
目次
Introduction David J. Shepherd 1. The Passion of the Christ: a form, a genre, a discourse Andre Gaudreault 2. La Vie et Passion de Jesus Christ (Pathe-Freres, 1902-1905): Tableau Variation in the Early Cinema Valentine Robert and Alain Boillat 3. La naissance, vie et passion du Christ (Gaumont, 1906): The Gospel According to Alice Guy David J. Shepherd 4. La Vie et Passion de Notre Seigneur Jesus Christ (Pathe-Freres, 1907): The Preservation and Transformation of Zecca's Passion Dwight H. Friesen 5. Sidney Olcott's From the Manger to the Cross (Kalem, 1912): Out of Egypt and Palestine W. Barnes Tatum 6. The Star of Bethlehem (Thanhouser, 1912): The Sacred Story from King Herod to the Crip Terry Lindvall 7. The Shadow of Nazareth (Venus Features/Warner Features, 1913): The Hermeneutics of an Unauthorized Adaptation Rhonda Burnette-Bletsch 8. La Vie et Passion de Notre Seigneur Jesus Christ (Pathe-Freres 1913/24): Pathe's Inclination to Tell and Maitre's Instinct to Show Jo-Ann Brant 9. The Birth of a Nation (D.W. Griffith, 1915) and Intolerance (Triangle/Wark 1916): Griffith's Talismanic Jesus Richard Walsh 10. Christus (CINES, 1916): Italy's First Religious "Kolossal" by Antamoro and Salvatori Giuseppe Pucci 11. Der Galilaer (Express-Film, 1921) and I.N.R.I. (Neumann-Film, 1923): The Silence of Jesus in the Early German Cinema Reinhold Zwick 12. Leaves from Satan's Book (Nordisk, 1921) and Dreyer's Script Jesus of Nazareth (1950): The Jewishness of Jesus Caroline Vander Stichele 13. The King of King's (DeMille Pictures, 1927): The Body and the Word on Film Vivienne Westbrook Final Reflections David J. Shepherd
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