The production and consumption of music in the digital age
著者
書誌事項
The production and consumption of music in the digital age
(Routledge studies in human geography, 58)
Routledge, 2016
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
The economic geography of music is evolving as new digital technologies, organizational forms, market dynamics and consumer behavior continue to restructure the industry. This book is an international collection of case studies examining the spatial dynamics of today's music industry. Drawing on research from a diverse range of cities such as Santiago, Toronto, Paris, New York, Amsterdam, London, and Berlin, this volume helps readers understand how the production and consumption of music is changing at multiple scales - from global firms to local entrepreneurs; and, in multiple settings - from established clusters to burgeoning scenes. The volume is divided into interrelated sections and offers an engaging and immersive look at today's central players, processes, and spaces of music production and consumption. Academic students and researchers across the social sciences, including human geography, sociology, economics, and cultural studies, will find this volume helpful in answering questions about how and where music is financed, produced, marketed, distributed, curated and consumed in the digital age.
目次
Part I: Introduction
1. Introduction: The Evolving Economic Geography of Music
[Brian J. Hracs, Michael Seman, and Tarek E. Virani]
Part II: Recording
2. Laptops, Pro Tools, and File Transfer Protocols: On the Intensification and Extensification of Recording Work in the Digital Age
[Allan Watson]
3. Disturbing Production: The Effects of Digital Music Production on Music Studios
[David Arditi]
Part III: Working
4. Working Harder and Working Smarter: The Survival Strategies of Contemporary Independent Musicians
[Brian J. Hracs]
5. From Artist to Entrepreneur: The Working Lives of London-Based Rappers
[Laura Speers]
6. Hip-Hop Tunity: Challenges and Opportunities for Indie Hip-Hop Artists in the Dutch Music Industry
[Joni R. Haijen]
7. "Working at the Candy Factory": The Limits of Nonmonetary Rewards in Record Industry Careers
[Alexandre Frenette]
Part IV: Playing
8. The Resilience of a Local Music Scene in Dalston, London
[Tarek E. Virani]
9. Landscapes of Performance and Technological Change: Music Venues in Pittsburgh, Pennsylvania and Nashville, Tennessee
[Ola Johansson, Margaret M. Gripshover, and Thomas L. Bell]
10. What's the "Newport Effect"?: Music Festivals, Touring, and Reputations in the Digital Age
[Jonathan R. Wynn and Rodrigo Dominguez-Villegas]
11. Musicians and Temporary Spaces: The Case of Music Festivals in Sweden
[Johan Jansson and Jimi Nilsson]
Part V: Distributing
12. Exploring the "360 Degree" Blur: Digitization, Sonic Capital, and the Strategic Orientations of Electronic Indie Labels
[Hans-Joachim Burkner]
13. More Than Just Bytes?: Responses to Digitization in the Paris Cluster of World Music Production
[Amanda Brandellero and Robert C. Kloosterman]
14. Emotional Landscapes and the Evolution of Vinyl Record Retail: A Case Study of Highland Park, Los Angeles
[Tyler Sonnichsen]
15. Music Rights: Towards a Material Geography of Musical Practices in the "Digital Age"
[Andy C. Pratt]
Part VI: Promoting and Consuming
16. Unpacking the "Digital Habitus" of Music Fans in Santiago's Indie Music Scene
[Arturo Arriagada]
17. The Evolution of Music Tastemakers in the Digital Age: The Rise of Algorithms and the Response of Journalists
[Bastian Lange]
18. Leveraging Affect: Mobilizing Enthusiasm and the Co-Production of the Musical Economy
[Andrew Leyshon, Nigel Thrift, Louise Crewe, Shaun French, and Pete Webb]
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