Women and domestic space in contemporary gothic narratives : the house as subject
Author(s)
Bibliographic Information
Women and domestic space in contemporary gothic narratives : the house as subject
(Geocriticism and spatial literary studies)
Palgrave Macmillan, 2015
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [219]-231) and index
Description and Table of Contents
Description
Moving away from traditional studies of Gothic domesticity based on symbolism, Soon instead focuses on domestic space's material presence and the traces it leaves on the human subjects inhabiting it. Approaching novels and films such as Beloved and The Exorcist , this study intersects psychoanalysis, phenomenology, and various spatial theories.
Table of Contents
Introduction: The Subject of the House in Gothic Narratives 1. Housing Treachery: Angela Carter's The Magic Toyshop and Love 2. Housing the Unspeakable: Valerie Martin's Property and Toni Morrison's Beloved 3. Housing Secret Selves: William Friedkin's The Exorcist and Roman Polanski's Repulsion 4. Housing Melancholia: Alejandro Amenabar's The Others and Juan A. Bayona's The Orphanage Conclusion: Housing Redemption: Janice Galloway's The Trick is to Keep Breathing and Alison Bechdel's Fun Home
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