The making of English popular culture
著者
書誌事項
The making of English popular culture
(Directions in cultural history)
Routledge, 2016
- : pbk
- : hbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
The Making of English Popular Culture provides an account of the making of popular culture in the nineteenth century.
While a form of what we might describe as popular culture existed before this period, John Storey has assembled a collection that demonstrates how what we now think of as popular culture first emerged as a result of the enormous changes that accompanied the industrial revolution. Particularly significant are the technological changes that made the production of new forms of culture possible and the concentration of people in urban areas that created significant audiences for this new culture.
Consisting of fourteen original chapters that cover diverse topics ranging from seaside holidays and the invention of Christmas tradition, to advertising, music and popular fiction, the collection aims to enhance our understanding of the relationship between culture and power, as explored through areas such as 'race', ethnicity, class, sexuality and gender. It also aims to encourage within cultural studies a renewed historical sense when engaging critically with popular culture by exploring the historical conditions surrounding the existence of popular texts and practices.
Written in a highly accessible style The Making of English Popular Culture is an ideal text for undergraduates studying cultural and media studies, literary studies, cultural history and visual culture.
目次
Introduction: Making Popular Culture
John Storey
1 'The Man of Penetration and the Girl of Capacity': Negotiating Power in Erotic Culture
Jenny Skipp
2 'But it's more than a game. It's an institution': Cricket, Class and Victorian Britain's Imperial Englishness
Claire Westall
3 Drivel for Dregs: Perceptions of Class, 'Race', and Gender in British Music Hall, 1850-1914
Dave Huxley and David James
4 Reading Historical Images: Class and Gender in Nineteenth-Century Photographs of Wigan of Pit-Brow Women
Sarah Edge
5 Inventing the Victorian Boy: S.O. Beeton's in The Boy's Own Magazine
Jochen Petzold
6 Accept no substitutions! Advertising, Gender and 'Race' in Constructions of the Consumer in the Nineteenth Century
Allison Cavanagh
7 Liminal Seaside? Working-Class Tourism in the 19th Century
Robert Troschitz
8 Shocking Readers: The Genres of Victorian Popular Fiction, the Classes, and the Book Market
Ralf Schneider
9 Picturing Adventure: Popular Fiction, Illustration and the British Empire, 1875-1914
Ralph Crane and Lisa Fletcher
10 'For the benefit of old boys, young boys, odd boys generally, and even girls': The irresistible rise of the British comic, 1884-1900
Robert Shail
11 The Spectacle of Speech: Victorian Popular Lectures and Mass Print Culture
Anne-Julia Zwierlein
12 "You Ought To See my Phonograph": The visual wonder of recorded sound (1877-1900)
Elodie A Roy
13 Class and the invention of Tradition: the cases of Christmas, Football, and Folksong
John Storey
14 Capturing (not Catching) the Ripper: Constructing the Myth of Jack the Ripper in Nineteenth Century London
John Paul Green
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