Der Welsche Gast The Italian guest
Author(s)
Bibliographic Information
Der Welsche Gast = The Italian guest
(Medieval German texts in bilingual editions, 4)
Medieval Institute Publications, c2009
- : paperbound
- Other Title
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Wälsche Gast
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references
Description and Table of Contents
Description
Friedrich Neumann described Thomasin's Der Welsche Gast as a linguistic phenomenon without comparison within the corpus of German literature of the Hohenstaufen period. In the didactic literature of the time, Der Welsche Gast does indeed occupy a unique position. . . . [It] betrays the heavy hand of the clerical moralist who moves from providing the younger members of his audience with a primer for proper social etiquette in his early verses to a meticulous analysis of what he clearly viewed as the appropriate ethical code for the nobility of his time, often presented against the backdrop of a thundering condemnation of the state of contemporary affairs. . . . [T]he work remains a remarkable product of an important period in German literature and indeed in medieval European culture; it may be argued with considerable justification that Der Welsche Gast is the most significant didactic work of the German High Middle Ages. Unique in its own time, yet apparently valued by Thomasin's contemporaries and immediately succeeding generations, it belongs very much to its own age, yet, like so much of the literature of the German Middle Ages, it touches chords in the modern reader which cannot and should not be ignored.
Table of Contents
A Note from the EditorAcknowledgements
Introduction
Selected Bibliography
The Italian Guest
Thomasin von Zirclaria's Prose Foreword
Preface to Book I
Book I
Book II
Book III
Book IV
Book V
Book VI
Book VII
Book VIII
Book IX
Book X
Notes
by "Nielsen BookData"