Translation, poetics, and the stage : six French Hamlets
著者
書誌事項
Translation, poetics, and the stage : six French Hamlets
（Routledge library editions, . Shakespeare in performance ; v. 5）
Routledge, 2014
大学図書館所蔵 件 / 全3件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Reprint. Originally published: London : Routledge, 1993
Includes index
内容説明・目次
内容説明
This book establishes an analytical model for the description of existing translations in their historical context within a framework suggested by systemic concepts of literature. It argues against mainstream 20th-century translation theory and, by proposing a socio-cultural model of translation, takes into account how a translation functions in the receiving culture. The case studies of successive translations of "Hamlet" in France from the eighteenth century neoclassical version of Jean-Francois Ducis to the 20th-century Lacanian, post-structuralist stage production of Daniel Mesguich show the translator at work. Each chapter focuses on a different aspect of the changing theatrical and literary norms to which translators through the ages have been bound by the expectations both of their audiences and the literary establishment.
目次
Preface Introduction: A Cultural Model of Translation 1. Jean-Francois Ducis' Hamlet, Tragedie imitee de l'Anglois: A Neoclassical Tragedy? 2. Alexandre Dumas and Paul Meurice's Hamlet, Prince de Danemark: Translation as an Exercise in Power 3. Marcel Schwob and Eugene Morand's La Tragique Histoire d'Hamlet: A Folkloric Prose Translation 4. The Blank Verse Shall Halt For't: Andre Gide's La Tragedie d'Hamlet 5. Yves Bonnefoy's La Tragedie d'Hamlet: An Allegorical Translation 6. Theatre as Translation/Translation as Theatre: Shakespeare's Hamlet by the Theatre du Miroir. Concluding Remarks. Appendix: Table of Selected Hamlet Productions
「Nielsen BookData」 より
