Boring formless nonsense : experimental music and the aesthetics of failure


    • Priest, Eldritch


Boring formless nonsense : experimental music and the aesthetics of failure

Eldritch Priest

Bloomsbury, 2013

  • : pbk

大学図書館所蔵 件 / 1



Includes bibliographical references (p. [293]-305) and index



Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs shoulders with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping debates on failure as an aesthetic category, eldritch Priest shows failure to be a highly dubious concept. The book frames recent experimental composition as a deviant kind of sound art whose affective and formal elements reflect on current issues in contemporary culture, and offers analyses of musical works and performance practices that are rarely heard, let alone considered as significant cultural phenomena - showing the role that obscurity and the esoteric have in articulating current cultural realities. Ambitious in content and experimental in its approach, Boring Formless Nonsense will challenge and fracture your views on failure, creativity, and experimental music.


Introduction One: BoringIntroductionA boring historyCage, Fluxus and Extendedness in the 1960s and 70sThe Aesthetics of Boredom and the Art of WaitingThe Premises/Promises of Aesthetic BoredomA Less Promising BoredomUglier Feelings of the StuplimePost...Death...Afterthought... Two: Formless Pretext(Informe)How to read this chapterStoryBecoming FormlessMusic NoiseRecording Distraction---MultitaskingCapture and EscapeLull ))) ))) )))Listening to SoS#16's Lull )))))(((((Listening Away)))))Muzak's Way of Dreaming Ubiquitously ))))---Notes on Muzak---Quantum ModulationWe don't (((listen))) anymoreThe (((Sound))) of HabitsSound-Effects))))) Charm and DissatisfactionLast)))))Another Again Three: Nonsense (Voodoo(Metareferentiality, Metamusic and Hypermusic(Grupat and Pseudonymity(Symptoms, Syndromes and Hyperfiction(In a Sedimental Mood(Hyperstition, Magick and Nonsense(Becoming Karen et al, a Real-Time Hyperstition as of March 30, 2007 ByKaren Eliotiv(Of Lies(What does music feel like? (or, 'on the refrain of pain and imagining'):Discursive Remainders from glossolalia (stress positions) by EngramKnots(glossolalia (stress positions)(Occult dualism(Illustrative Interlude: Practicing(The sleep side of music and dream-work)))))))))))))Inconclusion/This chapter is false("Disclaimer") Four: Confabulation BibliographyIndex

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