Tamara de Lempicka
著者
書誌事項
Tamara de Lempicka
24 ORE Cultura, 2015
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalogue of the exhibition held at Palazzo Chiablese, Turin, Mar. 19-Aug. 30, 2015
Includes bibliographical references (p. 286)
内容説明・目次
内容説明
An aura of mystery has surrounded Tamara de Lempicka since she was born, not in Warsaw in 1902, as she claimed, but according to official records in 1898 in Moscow. The beautiful and scandalous Tamara was the extravagant muse of Art Deco, an icon of the roaring twenties, and a successful painter of intensely sensual portraits that were powerfully sculptural with Cubist lines, embellished with sophisticated decorative elements. Cool colours, cramped spaces and stark contrasts between light and shade surround the unforgettable faces of rich, elegant, emancipated, and theatrical women fixed in their existential melancholy. The catalogue includes a careful selection of unforgettable paintings and valuable historic photographs offering us a fascinating thematic reconstruction of the personal and professional aspects of Tamara's life, including the places she lived, her involvement in the sophisticated fashion world of the period, and her studies of the nude, as well as her still-lifes and portraits.
目次
- Contents: Tamara's worlds: from Russia to Mexico
- Still life - a recurring theme in Lempicka's work, with echoes and references that range from 17th-century Flemish painting, to the rediscovery of trompe-l'oeil in the 1930s to1950s, and contemporary photography
- Devotion - a constant theme in Lempicka's oeuvre is religious. It is identified and analysed in terms of the art of the period
- Portraits - Paintings and drawings are analysed, and the initial classical sources pointed out, as well as how they relate tomodern photography and cinematography. A section is dedicated to the portraits of children
- The nude - The study of the nude from mannerist sources to the photography of Albin-Guillot e Brassai
- Fashion - Lempicka's close ties to the fashion world examined through her paintings, her experience as a photographic model, and her sophisticated wardrobe.
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