A companion to Robert Altman
著者
書誌事項
A companion to Robert Altman
（Wiley-Blackwell companions to film directors, 13）
Wiley Blackwell, 2015
- : cloth
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
A Companion to Robert Altman presents myriad aspects of Altman's life, career, influence and historical context. This book features 23 essays from a range of experts in the field, providing extensive coverage of these aspects and dimensions of Altman's work.
The most expansive and wide-ranging book yet published on Altman, providing a comprehensive account of Altman's complete career
Provides discussion and analysis of generally neglected aspects of Altman's career, including the significance of his work in television and industrial film, the importance of collaboration, and the full range and import of his aesthetic innovations
Includes essays by key scholars in "Altman studies", bringing together experts in the field, emerging scholars and writers from a broad range of fields
Multi-disciplinary in design and draws on a range of approaches to Altman's work, being the first substantial publication to make use of the recently launched Robert Altman Archive at the University of Michigan
Offers specific insights into particular aspects of film style and their application, industrial and aesthetic film and TV history, and particular areas such as the theorisation of space, place, authorship and gender
目次
Contributors viii
1 "It's OK with me": Introducing Robert Altman 1
Adrian Danks
Part One Zoom in: Becoming Altman 19
2 Sponsoring the Hollywood Renaissance: Reappraising Altman's Industrial Films 21
Mark Minett
3 From Alfred Hitchcock Presents to Tanner on Tanner: The Long Tail of Altman's Television Career 44
Tony Williams
4 Just a Station on His Way? Altman's Transition from Television to Film 68
Nick Hall
5 Breaking the Rules: Altman, Innovation and the Critics 92
David Sterritt
Part Two "I've got Poetry in Me": Seeing and Hearing Altman 117
6 The Porous Frame: Visual Style in Altman's 1970s Films 119
Hamish Ford
7 3 Women: Floating Above the Awful Abyss 146
Joe McElhaney and In memory of Tom Hopkins
8 The Multitrack World of California Split 166
Wheeler Winston Dixon
9 The Democratic Voice: Altman's Sound Aesthetics in the 1970s 184
Jay Beck
10 Creativity and Compromise: California Split's Original Soundtrack 210
Gayle Magee
Part Three Placing Altman: Space, History and Genre 231
11 High Hollywood in The Long Goodbye 233
Murray Pomerance
12 Altman and the Western, or a Hollywood Director's History Lesson of the American West 254
Stephen Teo
13 Altman/Nixon/Reagan: Honorable Secrets, Historical Analogies and the Nexus of Anger 274
Rick Armstrong
14 LA and Paris: The Construction of Social Space in the Films of Altman 296
Robert T. Self
15 "The Man I Love," or Time Regained: Altman, History and Kansas City 321
Adrian Danks
Part Four Being Altman: Character, Performance and Situation 347
16 "One is Both the Same": Fantasy and Female Psychosis in Images and That Cold Day in the Park 349
David Melville
17 Nashville: Second City Performance Comes to Hollywood 369
Virginia Wright Wexman
18 Altman: The Artist in Middle Age 390
Christos Tsiolkas
19 Lawful Lawyer, Vigilante Father: Altman, Masculinity and The Gingerbread Man 401
Tom Dorey
Part Five Zoom out: After "Altman" 423
20 Staging the "Rebel's Return": The Player, Short Cuts and the Precarious Art of the Comeback 425
Dimitrios Pavlounis
21 The End of the Hollywood Hero: Dr T & the Women and Altman's Multi ]Protagonist Narratives 448
Maria del Mar Azcona
22 The Long Reach of Short Cuts 465
Robert P. Kolker
23 Kicking and Screaming: Altmanesque Cynicism and Energy in the Work of Paul Thomas Anderson and Noah Baumbach 480
Claire Perkins
Index 501
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