Stuart Davis : in full swing
Author(s)
Bibliographic Information
Stuart Davis : in full swing
National Gallery of Art , Whitney Museum of American Art , DelMonico Books・Prestel, [2016]
- : hardcover
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
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  Gunma
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  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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  United Kingdom
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Note
Exhibition catalogue
Catalogue of the exhibition held at Whitney Museum of American Art, New York, June 10-Sept. 25, 2016; National Gallery of Art, Washington, Nov. 20, 2016-Mar. 5, 2017; de Young, Fine Arts Museums of San Francisco, Apr. 8-Aug. 6, 2017; Crystal Bridges Museum of American Art, Bentonville, Arkansas, Sept. 16, 2017-Jan. 8, 2018
Checklist of exhibited works: p. 236-241
Includes bibliographical references and index
Description and Table of Contents
Description
Beginning in 1921, a series of creative breakthroughs ledDavis away from figurative painting and toward a moreabstract expression of the world he inhabited. Drawing uponhis admiration for the works of Cezanne, Leger and Picasso,Davis developed a style that would over the next four decadesevolve, challenge and influence contemporary art. Davis'svisionary depictions of modern life and culture both highand low remain relevant more than 50 years after his death.Focusing on the images and motifs that became a hallmark ofhis career, this book features approximately 100 works-fromhis paintings of early 1920s tobacco packages, the abstractEgg Beater series and the WPA mural works from the 1930s,to the majestic works of his last two decades. The authors takea critical approach to the indelible influence Davis had uponcontemporary art and the traceable impact his earlier workhad upon his later masterpieces.They also offer importantbiographical perspectives and discuss Davis's unique abilityto assimilate into his art not only the lessons of Cubism,modernism and abstraction, but also the imagery of popularculture, the aesthetics of advertising and the sounds andrhythms of jazz-his great musical passion. Presenting newlydiscovered primary documents, including photographs andexcerpts from the artist's writings, the detailed chronologyis, in effect, the first-ever Davis biography. Together, theseelements create a vital portrait of an artist whose works humwith intelligence and energy.
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