The philosophy of Michael Mann
著者
書誌事項
The philosophy of Michael Mann
（The philosophy of popular culture）
University Press of Kentucky, c2014
- : hardcover
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注記
Includes bibliographical references and index
収録内容
- An introduction to the philosophy of Michael Mann / Steven Sanders
- Michael Mann and nonplace: a Nietzschean element in Mann's modern crime films / Robert Arnett
- "Awakened to chaos": outsiders in The jericho mile and Thief / R. Barton Palmer
- Existential Mann / Steven Sanders
- "Do you see?" Reflecting on evil in Manhunter / Aeon J. Skoble
- Mann and übermensch: evil and power in Manhunter / David Sterritt
- "Blood in the moonlight": toward an aesthetics of horror in The keep and Manhunter / Ivo Ritzer
- Style, meaning, and myth in Public enemies / Steven Rybin
- Interiorization in public enemies / Murray Pomerance
- Mannerism: neoclassical style in the films of Michael Mann / Tom Paulus and Vito Adriaensens
- The ethics of contracts, conscience, and courage in The insider / David LaRocca
- The commodification of justice: Michael Mann and postmodern law / Mark Wildermuth
- Subjectivity and the ethics of duty in Michael Mann's cinema / Aga Skrodzka
- Natural man, natural rights, and eros: conflicting visions of nature, society, and love in The last of the Mohicans / Alan Woolfolk
- Emotion, truth, and space in Heat / Jonah Corne
- Mann's biopics and the methodology of philosophy: Ali and The insider / David Rodríguez-Ruiz
内容説明・目次
内容説明
Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works -- Ali (2001), Miami Vice (2006), and Public Enemies (2009).
The Philosophy of Michael Mann provides an up-to-date and comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.
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