Five faces of Japanese feminism : Crimson and other works
著者
書誌事項
Five faces of Japanese feminism : Crimson and other works
University of Hawaiʻi Press, c2016
- : cloth
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Translation of a novel and four short stories by the Japanese writer
収録内容
- Café Kyoto
- Tears of a factory girl in the union leadership
- The scent of incense
- White and purple
- Crimson
内容説明・目次
内容説明
This exquisite collection of short fiction by Sata Ineko (1904-1998) offers readers a fascinating glimpse into the lives of women rarely dignified in fiction: glamorous cafe waitresses, feisty communist activists, a tortured novelist, a soldier's wife, and single women in Japan's Korean colony. Her delicately penned portraits challenge the tired, erotic tropes of the geisha and schoolgirl, while delving into the dilemmas women themselves faced in their personal and professional relationships. The stories and novella translated here span a period of two decades and the most important events and themes in twentieth-century history. "Cafe Kyoto" (1929) takes up the glamorous, if tragic, lives of cafe waitresses in the wake of the late 1920s Depression. "Tears of a Factory Girl in the Union Leadership" (1931) offers a unique portrait of a woman who works with the underground Communist Party. "The Scent of Incense" (1942), written as a work of "home front" literature, was meant to help mobilize women as productive workers and supportive housewives during World War II. "White and Purple" (1950), one of Sata's rare postcolonial works penned just after the outbreak of the Korean War, reflects on the psychological damage inflicted on women during Japan's occupation of Korea. Sata's first novella, Crimson (1936-1938), joins a long tradition of women's writing in Japan that sought to assert women's "liberation" from what was seen as the oppressively patriarchal institution of marriage.
Translator Samuel Perry's critical introduction weaves the story of Sata's life into an examination of the historical and cultural milieu that helped to generate her stories about working women, their lives in the workplace and in the home. As the celebrated author herself once wrote, "The kinds of womanhood available today exist precisely because literary masters of different ages and cultures have drawn us to them: the woman we pity, the woman with a heart of gold, the cruel woman, the clever woman, the hen-pecker, the cheapskate, and the 'good wife wise mother.' As terms we use to describe the kinds of women who exist in the world today, they have simply outgrown their usefulness."
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