Mystical resistance : uncovering the Zohar's conversations with Christianity
著者
書誌事項
Mystical resistance : uncovering the Zohar's conversations with Christianity
Oxford University Press, c2016
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
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  福島
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  石川
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  愛知
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  京都
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  奈良
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  鳥取
  島根
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  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
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  鹿児島
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  韓国
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注記
Summary: "Mystical Resistance reveals the Kabbalistic masterpiece Sefer ha-Zohar as a rich source for understanding Jewish resistance to Christian authority. Composed against a backdrop of rising religious intolerance, the Zohar's subversive mystical narratives critique the changing relationship between Western Europe's Christian majority and its Jewish minority"-- Provided by publisher
Bibliography: p. [213]-230
Includes index
内容説明・目次
内容説明
The thirteenth-century Jewish mystical classic Sefer ha-Zohar (The Book of Splendor), commonly known as the Zohar, took shape against a backdrop of rising anti-Judaism in Spain. Mystical Resistance reveals that in addition to the Zohar's role as a theological masterpiece, its kabbalistic teachings offer passionate and knowledgeable critiques of Christian majority culture. During the Zohar's development, Christian friars implemented new missionizing
strategies, forced Jewish attendance at religious disputations, and seized and censored Jewish books. In response, the kabbalists who composed the Zohar crafted strategically subversive narratives aimed at diminishing Christian authority.
Hidden between the lines of its fascinating stories, the Zohar makes daring assertions that challenge themes important to medieval Christianity, including Christ's Passion and ascension, the mendicant friars' new missionizing strategies, and Gothic art's claims of Christian dominion. These assertions rely on an intimate and complex knowledge of Christianity gleaned from rabbinic sources, polemic literature, public Church art, and encounters between Christians and Jews. Much of the kabbalists'
subversive discourse reflects language employed by writers under oppressive political regimes, treading a delicate line between public and private, power and powerlessness, subservience and defiance.
By placing the Zohar in its thirteenth-century context, Haskell opens this text as a rich and fruitful source of Jewish cultural testimony produced at the epicenter of sweeping changes in the relationship between medieval Western Europe's Christian majority and its Jewish minority.
目次
Acknowledgments
Hebrew and Aramaic Transliterations
Introduction: The Zohar Beyond Theology: Uncovering a Work of Resistance
1. Contesting the Kingdom of Heaven: Rachel as Counterpart to Christ
2. Cleaving to the Other Side: Conversion to Christianity
3. A Moses for the Idolaters: Balaam as Christ
4. The Ascension of Balaam: Subverting Christian Sacred Stories
5. In the Palace of Images: Responding to Christian Art
Conclusion: Coercion and Creativity: Mystical Resistance
Bibliography
Index
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