The aesthetics of atmospheres
著者
書誌事項
The aesthetics of atmospheres
(Ambiances, atmospheres and sensory experiences of spaces)
Routledge, 2017
- : hbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [212]-214) and index
内容説明・目次
内容説明
Interest in sensory atmospheres and architectural and urban ambiances has been growing for over 30 years. A key figure in this field is acclaimed German philosopher Gernot Boehme whose influential conception of what atmospheres are and how they function has been only partially available to the English-speaking public. This translation of key essays along with an original introduction charts the development of Gernot Boehme's philosophy of atmospheres and how it can be applied in various contexts such as scenography, commodity aesthetics, advertising, architecture, design, and art.
The phenomenological analysis of atmospheres has proved very fruitful and its most important, and successful, application has been within aesthetics. The material background of this success may be seen in the ubiquitous aestheticization of our lifeworld, or from another perspective, of the staging of everything, every event and performance. The theory of atmospheres becoming an aesthetic theory thus reveals the theatrical, not to say manipulative, character of politics, commerce, of the event-society. But, taken as a positive theory of certain phenomena, it offers new perspectives on architecture, design, and art. It made the spatial and the experience of space and places a central subject and hence rehabilitated the ephemeral in the arts. Taking its numerous impacts in many fields together, it initiated a new humanism: the individual as a living person and his or her perspective are taken seriously, and this fosters the ongoing democratization of culture, in particular the possibility for everybody to participate in art and its works.
目次
Foreword
Introduction
Part I. Theory: Aesthetics and aesthetical economy
1. Atmosphere as a fundamental concept of a new aesthetics
2. Atmosphere as an aesthetic concept
3. The art of the stage set as a paradigm for an aesthetics of atmospheres
4. Kant's aesthetics: a new perspective
5. On beauty
6. On synaesthesiae
7. Contribution to the critique of the aesthetic economy
Part II. Aesthetics of nature and art
8. Aesthetic knowledge of nature
9. Nature in the age of its technical reproducibility
10. Body, nature and art
11. Nature as a subject
Part III. Architecture
12. The atmosphere of a CITY
13. Atmosphere as the subject matter of architecture
14. Staged materiality
15. Architecture: a visual art? On the relationship between modern architecture and photography
16. Metaphors in architecture-a metaphor?
Part IV. Light and sound
17. Acoustic atmospheres
18. Music and architecture
19. The great concert of the world
20. Seeing light
21. The phenomenology of light
「Nielsen BookData」 より