Persian authorship and canonicity in late Mughal Delhi : building an ark
著者
書誌事項
Persian authorship and canonicity in late Mughal Delhi : building an ark
(Iranian studies / edited by Homa Katouzian, Mohamad Tavakoli, 33)
Routledge, 2016
- : hardback
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Writing in the eighteenth century, the Persian-language litterateurs of late Mughal Delhi were aware that they could no longer take for granted the relations of Persian with Islamic imperial power, relations that had enabled Persian literary life to flourish in India since the tenth century C.E.
Persian Authorship and Canonicity in Late Mughal Delhi situates the diverse textual projects of 'Abd al-Qadir "Bidil" and his students within the context of politically threatened but poetically prestigious Delhi, exploring the writers' use of the Perso-Arabic and Hindavi literary canons to fashion their authorship. Breaking with the tendency to categorize and characterize Persian literature according to the dynasty in power, this book argues for the indirectness and complexity of the relations between poetics and politics. Among its original contributions is an interpretation of Bidil's Sufi adaptation of a Braj-Avadhi tale of utopian Hindu kingship, a novel hypothesis on the historicism of Siraj al-Din 'Ali Khan "Arzu"s oeuvre and a study of how Bindraban Das "Khvushgu" entwined the contrasting models of authorship in Bidil and Arzu to formulate his voice as a Sufi historian of the Persian poetic tradition.
The first book-length work in English on 'Abd al-Qadir "Bidil" and his circle of Persian literati, this is a valuable resource for students and scholars of both South Asian and Iranian studies, as well as Persian literature and Sufism.
目次
Introduction: Political Frailty and Poetic Power in Late Mughal Delhi 1 Bidil's Portrait: Ekphrasis as Ascetic Self-Transformation 2 Bidil's Tarji-band: the Author's Kenotic Chorus 3 A Hindu Allegory of the Islamic Philosopher King: the Tale of Madan and Kamdi in Bidil's Irfan 4 The Local Universality of Poetic Pleasure: Siraj al-Din 'Ali-Khan "Arzu" and the Speaking Subject 5 Khvushgu's Dream of Hafiz: Building an Ark with Arzu and Bidil
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