Feminist film theory and Pretty woman
Author(s)
Bibliographic Information
Feminist film theory and Pretty woman
（Film theory in practice）
Bloomsbury Academic, 2016
- : pb
Available at 3 libraries
Note
Includes bibliographical references (p. [195]-196) and index
Description and Table of Contents
Description
In Feminist Film Theory and Pretty Woman, Mari Ruti traces the development of feminist film theory from its foundational concepts such as the male gaze, female spectatorship, and the masquerade of femininity to 21st-century analyses of neoliberal capitalism, consumerism, postfeminism, and the revival of "girly" femininity as a cultural ideal. By interpreting Pretty Woman as a movie that defies easy categorization as either feminist or antifeminist, the book counters the all-too-common critical dismissal of romantic comedies as mindless drivel preoccupied with trivial "feminine" concerns such as love and shopping. The book's lucid presentation of the key concerns of feminist film theory, along with its balanced reading of Pretty Woman, shed light on a Hollywood genre often overlooked by film critics: the romantic comedy.
Table of Contents
Introduction
Section 1: Feminism and Feminist Film Theory
Section 2: Feminist Film Theory and Pretty Woman
Conclusion
Filmography
Bibliography
Index
by "Nielsen BookData"