Feminist film theory and Pretty woman
著者
書誌事項
Feminist film theory and Pretty woman
（Film theory in practice）
Bloomsbury Academic, 2016
- : pb
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注記
Includes bibliographical references (p. [195]-196) and index
内容説明・目次
内容説明
In Feminist Film Theory and Pretty Woman, Mari Ruti traces the development of feminist film theory from its foundational concepts such as the male gaze, female spectatorship, and the masquerade of femininity to 21st-century analyses of neoliberal capitalism, consumerism, postfeminism, and the revival of "girly" femininity as a cultural ideal. By interpreting Pretty Woman as a movie that defies easy categorization as either feminist or antifeminist, the book counters the all-too-common critical dismissal of romantic comedies as mindless drivel preoccupied with trivial "feminine" concerns such as love and shopping. The book's lucid presentation of the key concerns of feminist film theory, along with its balanced reading of Pretty Woman, shed light on a Hollywood genre often overlooked by film critics: the romantic comedy.
目次
Introduction
Section 1: Feminism and Feminist Film Theory
Section 2: Feminist Film Theory and Pretty Woman
Conclusion
Filmography
Bibliography
Index
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