African print cultures : newspapers and their publics in the twentieth century
著者
書誌事項
African print cultures : newspapers and their publics in the twentieth century
(African perspectives)
University of Michigan Press, c2016
- : pbk
- : hardcover
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This inaugural volume in the African Perspectives series features the workof new and well-established scholars on the diversity and heterogeneityof African newspapers published from 1880 through the present.Newspapers played a critical role in spreading political awareness amongreaders who were subject to European colonial rule, often engaging inanticolonial and nationalist discourse or popularizing support for Africannationalism and Pan-Africanism. Newspapers also served as incubatorsof literary experimentation and new and varied cultural communities.
The contributors highlight the actual practices of newspaper productionat different regional sites and historical junctures, while also developinga set of methodologies and theories of wider relevance to socialhistorians and literary scholars. The first of four thematic sections,"African Newspaper Networks," considers the work of newspapereditors and contributors in relating local events and concerns to issuesaffecting others across the continent and beyond. "Experiments withGenre" explores the literary culture of newspapers that nurtured thedevelopment of new literary genres, such as newspaper poetry, realistfiction, photoplays, and travel writing in African languages and inEnglish. "Newspapers and Their Publics" looks at the ways in whichAfrican newspapers fostered the creation of new kinds of communitiesand served as networks for public interaction, political and otherwise.The final section, "Afterlives," is about the longue duree of history thatnewspapers helped to structure, and how, throughout the twentiethcentury, print allowed contributors to view their writing as material meantfor posterity.
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