Gender, piety, and production in fourteenth-century English Apocalypse manuscripts
著者
書誌事項
Gender, piety, and production in fourteenth-century English Apocalypse manuscripts
Routledge, 2016
- : hbk
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注記
"An Ashgate book"--Cover
Includes bibliographical references (p. [154]-171) and indexes
内容説明・目次
内容説明
Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts is the first in-depth study of three textually and iconographically diverse Apocalypses illustrated in England in the first half of the fourteenth century by a single group of artists. It offers a close look at a group of illuminators previously on the fringe of art historical scholarship, challenging the commonly-held perception of them as mere craftsmen at a time when both audiences and methods of production were becoming increasingly varied. Analyzing the manuscripts' codicological features, visual and textual programmes, and social contexts, it explores the mechanisms of a fourteenth-century commercial workshop and traces the customization of these books of the same genre to the needs and expectations of varied readers, revealing the crucial influence of their female audience. The book will be of interest to scholars and students of English medieval art, medieval manuscripts, and the medieval Apocalypse, as well as medievalists interested in late medieval spirituality and theology, medieval religious and intellectual culture, book patronage and ownership, and female patronage and ownership.
目次
Table of Contents
List of Illustrations
Acknowledgments
Introduction
A Fourteenth-Century Group of English Apocalypse Illuminators
Workshop Practice and the Question of Authorship
Compilation and Readership
Chapter 1. Seeing with Spiritual Eyes: The Pepys Apocalypse
A Workshop Model
Seeing with 'Spiritual Eyes'
Eucharistic Devotion and Bridal Mysticism
'Le bon prelat'
The Pepys Apocalypse and the Cura Monialium
Conclusion
Chapter 2. A Book Designed for a Lady: The Selden Apocalypse
The Owner of the Book
A Book for Teaching
The Illuminator as Compiler
A Literal Apocalypse
Tying Evangile to Apocalypse: Alpha and Omega
Conclusion
Chapter 3. Knowledge and Ascent: The Brussels Apocalypse
The Lumere as lais
Knowledge and Ascent
'Seint Pol le apostre' and the Moral Emphasis
Close Relations
The Brussels Apocalypse as an Exemplar and Mental Substitute for a Lost Image
More Images in the Margins
Conclusion
Chapter 4. Concluding Remarks: The Care of Souls and the Artist as Author
Diverse Readers and the Care of Souls
Customized Practices and Questions of Authorship
Bibliography
Index
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