Networks of sound, style and subversion : the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80
著者
書誌事項
Networks of sound, style and subversion : the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80
（Music and society）
Manchester University Press, 2015
- : pbk
大学図書館所蔵 件 / 全4件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
"Videography and discography": p. [261]-262
Includes bibliographic references (p. [248]-260) and index
内容説明・目次
内容説明
This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'.
Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. -- .
目次
1 Introduction
2 Music worlds
3 Explaining punk: a review of existing accounts
4 Theorising micro-mobilisation: critical mass, collective effervescence, social networks and social space
5 Micro-mobilisation and the network structure of the London punk world
6 The evolution of the London network
7 Punk goes national: broadcast networks, media and moral panic
8 From Punk to post-punk: a tale of three cities
9 Joining the dots: post-punk worlds as networks
10 The small world of British post-punk
11 Conclusion
Index -- .
「Nielsen BookData」 より